Moderator: Thank you, after the break we enter into today’s panel discussion, we first feel the spirit of Chinese culture, have requested handmade embroidery maestro Miss Yao Jianping, former deputy director of the Intangible Cultural, Mr. Qu Shengrui artist Mr. Ye Fang and Mr. Wang Haoran tapestry artists came to power.
Today, I am such a layout is actually interesting, a tapestry of tradition is representative, one representative of embroidery heritage, in addition to sitting in the middle might Secretary for Chinese manufacturing, particularly in traditional manufacturing industries to better understand the policy side of things , Mr. Ye Fang might put forward thinking from the cultural heritage. I ask noble, from your point of view on behalf of tapestry dress do? We may not know too much for tapestry.
Adrian: My body is not tapestry, outside of my body that this dress is the Ming Dynasty Chinese people a jacket, is a home of uniforms, is restructuring cloak. This is a horse by hand, then with hand coloring, a little closer to cherry stained cloth, then hand-stitched. Tapestry in China has 1,400 years of history, about the Tang Dynasty, when there were already very rich tapestry unearthed, this technology should be with us now have a different common fabric, tapestry is a pass through stabilized in Since the manufacturing process changes color or flower-shaped, in the shuttle between the use for a variety of small interspersed, the middle will be cut. Like our common tapestry will replace this color no need to go back, floating text that will appear on the back.
Moderator: Thank you. We have just in the audience to communicate, noble born in 1986, very young. You are now choose to continue to do tapestry, inherit your possessions, to continue to pass on such a job. You are now before you have an idea and what kind of different? Your own feelings as a 80 young people, do you think tapestry in the development process, what kind of problems encountered?
Adrian: I think I have seen is the inheritors of Chinese arts and crafts, and even a little older, like my grandparents, as they master the basic for the country, is a master craftsman, or an important heritage, this good like just a name. For example, I go to Adrian too young to apply for a national master, I live up to 120.
Moderator: that much.
Adrian: That was a great age, the age is limited, but the brand can become infinite. As we know that Hermes has nearly 300 years of history, I think we should do a brand, so let generations to give this brand into their own knowledge and understanding of the brand. I also want young people to some of the ideas and concepts into the tapestry, no need to make a very traditional look.
Moderator: So even if you leave something like this in the future can also be healthy ongoing afloat.
Adrian: Yes.
Moderator: How many people know about the presence of tapestry? Do you use or you can say a few Kesi Kesi brand? I would like to ask Ms. Yao, embroidery products mentioned acting fine people might think of a long, expensive, now embroidery in the international promotion of the situation how?
Yao Jianping: embroidery development today has 2,500 years of tradition, in front of us to think that the tradition of a problem, a problem of how cosmopolitan. Inheritance issues are also personnel issues, because in fact, is a traditional embroidery handmade art, are needed loneliness, investment cycle is long, slow. To enter this industry is a primary stage of 3-5 years, and then he was able to persevere through the years, loneliness, he still has the passion to go up, he may pass decade, a decade of sword, it should will be out Zhengguo. From my previous generation of solid learning experience out of the immortal. Our ten years of that era, we are loneliness, and have such influence, and has been kept in the practice learning in such a kind of process. Some in this decade may persist for five years, he was eating can solve, he can also be directly brought into the market, that is, in fact, has no problem to survive, the key is how to stick with it this year, that is to say it in this industry difficult, had insisted on the five-year survival did not, it should be said that the same students, the same in other areas he would not be economically less than others. But the problem is that he is more savvy, then climb again, he loves this industry difficult, and a young man now this door industry, on the ancient art of embroidery do not understand, do not know where it’s worth He blindness. In this summer I met a group of top students of Tsinghua University, as well as a group of girls came Suzhou listened to my presentation after they are very happy, they do not have such an opportunity, not to mention the international, national missing is the promotion.
A good case in Suzhou, is opera, because got Shiranishi Yong (sound) such a figure, he has social influence, and is willing to pay, completely changed the original status quo, into the university, so that young people like. I think the issue is currently embroidery lies in this session.
Moderator: Ms. Yao said earlier that the embroidery has 2400 years of history, we the audience have Mr. Gao Feng, BV Is there any history of two thousand years?
Peak: 1966.
Moderator: Do you think BV wins a place in what?
Summit: I am afraid that this topic is not the most authoritative answer to who I am a simple analysis of this name came from the Veneto is a handicraft, handmade in Italy wants to brand heritage to the world. The past few decades is a process of exploration and innovation, and today was a big success, especially in the business last year such a small minority, no LOGO on the surface of the brand to achieve 10 billion euros, the distance from this brand Hermes is not very large, it is completely made of leather. So I think this is a kind we can inspire, and a short history of the brand how to go its own way.
Moderator: Ms. Yao and Adrian just mention two in particular that have a history of talking about it, they were the elite management issues, there is the issue of domestic cultural heritage successors, as well as weakness in the international promotion of the issue, but an international Brand history is just a few decades can be opened at any one big lot of high-end stores, then selling high-priced, which is why the difference between the middle?
Qu Shengrui: First of all I am particularly pleased and also special thanks to the organizers for inviting me to attend the 2013 Second China boutique forum. This is what I managed to do the work of thinking about a problem, China is five thousand years of civilization, is the only country without a significant change in the history of our rich cultural resources. Intangible Cultural Heritage in 2005 to carry out the census, according to incomplete statistics, China now has 850,000, this figure is not completely accurate, I think this figure is much smaller. The State Council has approved the National Directory Project 1129, approved by the Ministry of Culture party representative inheritors 1879, we have 37 already inscribed on the World Heritage list of projects, there are 41 demonstration bases. These are to promote the protection of the national cultural heritage. Just talk to the tapestry and embroidery heritage of people, China has four famous show, China’s four famous show, the biggest problem is the heritage protection, inheritance of the biggest problems is that people learn his skills, Yao master a decade of effort learn the embroidery. Now many people on China’s traditional elite art do not learn, and most of them are now engaged in embroidery girls in rural areas, these girls first degree is relatively low, and the second she was engaged in rural areas of farmland, has a stout hand, more importantly, without knowledge of aesthetics, so she embroidered embroidery no fame, embroidery is determined by the stitch pattern of the dark produce artistic effects. No certain cultural knowledge, there is no knowledge of aesthetics, so he can not do this fame.
So for these situations, the state attaches great importance to the Ministry of Finance allocated over six one hundred million per year to support the protection of intangible cultural heritage items and heritage, the local government has also given support, but I think it is not enough. Recently, the Ministry of Culture, Ministry of Education, the Ministry of Finance in order to accelerate the development of traditional industries, supporting 100 schools to develop traditional crafts, students, traditional hand skills handed down better. I think just a professor of Tsinghua University, Peking University professors are telling examples of foreign countries, China’s brand Where is it? I think it is in our own. Colorful Chinese intangible cultural heritage items, ceramics, jade, embroidery, bamboo, etc., are very upscale, very beautiful, and loved by the people of the world, but not very good attention, there is no good publicity, so there is no cause for concern entrepreneurs, so we did not come out of the brand. I think the quality of the forum to engage China, China manufacturing this topic, I think this forum can be the annals of the first meeting, I think it is a very meaningful activity.
As several professors are talking about market-oriented, market-oriented course. However, the current to want everyone to understand China’s brand, brand awareness is very important, I think publicity, education is very important.
Moderator: Thank you, Secretary, about the specifications of our forum too a lot. I would like to ask the teacher to put leaves, just from international brands to the domestic tradition of cultural treasures that we have done a comparison, including directors have done, seems to see now whether embroidery or tapestry, etc., it seems that we are still stuck in the such as the state has earmarked huge funds, and then support, re-education, and now we have developed in such a situation, is not enough because of cultural heritage, education is not enough, the state has appropriated subsidies enough, or such as that mentioned earlier Adrian concept of corporate governance is not enough, what is included positioning, international marketing strategy is not enough, what do you think is the missing part?
Ye Fang: This is a good question, because just two masters, when talking about the two craft was thinking, because very clever about these two processes are related to south, these two processes have had the era of decline, also had a glorious era. In fact, we can think about just Yao said the master embroidery, Wu has been in the Spring and Autumn Period embroidery on the clothes, and developed into a craft embroidery threads of hair can be grown to 64 needles and thread, you can embroider goldfish, embroidered dog , embroidered cat, it is conceivable that hair, finer than almost true. Technology developed to such a degree is really great, but what does it bring? Once in the 18th and 19th centuries brought the Chinese hot, hot in Europe, China. Early in Europe, China is hot Joey from China, China fever in France is, with rococo art of the first docking of Chinese ceramics and other important content, that time is leading the world fashion trend south, come from the south of the craft, including Jingdezhen craft.
But to go back to for a long period, probably the seventies and eighties, embroidery reduced its survival depend on tourism Suzhou Jiangnan, the consequences are the market seems very prosperous, but a large number of the cottage, a lot of shoddy, enough so that people feel embroidery , how to say 64,24, all eyes beautiful phenomenon altogether broken. So more than two decades to maintain the false prosperity of the southern state of embroidery, but the art of embroidery itself caused the damage. The question is, when there are still many people to learn embroidery, they find profitable, there is one in South Lake every family in embroidery, in order to cooperate with such a town dedicated to do it’s worth, you can imagine how prosperity. But if now to reflect on it, it is the art of embroidery harm. Why? It used to be fine, but later found not boutique, tourism memorial cottage products.
Then for the tapestry, tapestry we all know a great need for years and time to polish, we say a centimeter wide area from a few to 30 wire, 1 cm height of the area inside the shuttle to the ten thousand to the shuttle, you can imagine how fine the. But it is quite a long time supported by the Japanese kimono belt for a long period of years, because no one wants this stuff. Ordinary people that are less expensive and practical, elegant without attention to its beauty, but is relying on the Japanese kimono belt. But the tapestry was once a typical representative of the royal family, which means that the European high society, you have to count the flow of society, you did not have Chinese embroidery and tapestry are No way, this is marked. Today, however, comes a lot of our attention again, just bend the Secretary said, the government spent huge sums of money and effort to protect and preserve, there is a very important question, even if you save, as just mentioned him 100 years old, older, he organized not up, if there is no market or will shrink, he was raised up by the government. So he really has life to blood, and it is the market, which talked about a topic I want to say, China’s trade is with the Chinese people’s way of life, the Chinese people’s attitude to life, Chinese people’s cultural relevance, if No Chinese people living culture as an underlying support to the protection of any craft will later atrophy. In fact, we can think of, say the Japanese craft is protected all over the world can learn from, in fact, but not enough, not only in Japan, Venetian glass and Lesi, which as early as in China alone, but never as a Venetian tradition hurt their brains, the market has been good. Chinese people go to see the glass Venice Island, stating that they have a culture in the tradition of continuation, since they still feel to this day my grandfather, my grandmother, my father, my mother, even my hands those Lesi products and glass products represents the cultural glory, representing the value of culture, because it is historical, history is valuable. Represented their hand continues today as that of a pride. So I think if we can not recover in life on the tapestry, embroidery applications, you will shrink to protect a hundred years, but today there is the master, and that there may be tomorrow’s master water, because he is not so fine a , that the future of 64 copies of the master can do? Another interesting phenomenon is that you will find actually a tapestry and embroidery craft, their content is not created by artists and craftsmen, then there are many brilliant cultural elite, scholars, they give the tapestry and embroidery patterns , artistic connotations. So you see, embroidery, embroidery craft, embroidery something is not necessarily created by these artists, painters may be created, possibly created by the photographer, is a painting, a photograph, they just use their memories and put this picture Photography has given a new life, given the art of embroidery, tapestry art of life. In fact, some of the early Ming Dynasty palace tapestry are drawings, that an art of embroidery and tapestry art finish, not just done by one person, as well as artists, designers that there is a comprehensive needs of social life, social life needs and artists involved, it gives craft full life. So today I want us to talk about such a craft and brand, it would probably not be ignored to this chain of life.
Moderator: Today is also very interesting to sit on stage, Ms. Yao stressed that we must endure loneliness, to stop and monographs on hand this part. Obviously Adrian had mentioned my grandfather basically doing masters, or traditional arts and crafts ideas, but to his generation, brand under his control, he is to consider the operation of the company, or even international promotion. He is just the third generation of tradition in this field, his thoughts completely changed, Justice you think there is no problem with this process? Is not China’s intangible cultural heritage protection ideas are written up?
Qu Shengrui: now the state intangible cultural heritage protection of traditional craftsmanship is government-led, community involvement, we encourage the adoption of the master, the state has representatives heritage, including a representative inheritors Some financial support to enable them to get skills Better heritage. I think the current situation, China’s traditional handicrafts aspects include China’s four famous show, only to truly protect our traditional skills handed down, this is very important. Now, with the market demand, some embroidery inheritors not put their good traditional skills handed down, that is some way to make through staining, layman can not see. This art heritage I personally do not agree, I think it should be protected.
Second, we must attach importance to the heritage of art, I think they are very good pass down the art or can. More than in addition to their own heritage as well as social participation, which is also very important. China is now the biggest problem is the heritage of many young people are not willing to, for example, Beijing’s gold mosaics, which are very famous in Europe, a lot of rich people in Europe are devoted to Beijing to find mosaic, who is Korean Arts The Japanese, as well as Taiwanese, Chinese apprentice, learner few.
Moderator: Why is this so?
Qu Shengrui: that young people now paid insufficient attention to the traditional techniques. There is a traditional handicraft countries do not give these people their social status, as well as his treatment did not follow up. So do a lot of markets, such as Beijing’s gold mosaics make a very low cost, and get it on the market to sell a high price, so young reluctant apprenticeship. At this meeting today, I call on Representative should properly protect these traditional skills handed down, this is the government wants to support, and more importantly, to encourage entrepreneurs to finance, involved in carrying out protection, to carry out heritage, so that China’s traditional hand skills and healthy development indefinitely.
Moderator: Justice is more emphasis on government protection, in fact, this point of view with the teacher leaves the view is not the same place.
Ye Fang: because the Secretary on behalf of the government point of view, of course, the first thing to government support and support, if the Government does not have a lot of things a lot of support and support it is impossible to move, because we will inevitably around the past about Japan, and many Japanese manual able to continue to this day, in fact, with the support of the government. There is reserved almost all of Japan’s traditional festival, many times because of need this holiday crafts, such as the Dragon Boat Festival, but then if we will go dragon boat racing, including dumplings do? Many things are seasonal needs, the Government has done a lot of work season, every place and provisions on the promotion season. Another thing is also important is that the Japanese culture, there is a respect for the artisans, Chinese people are very interesting, Chinese literati who write history, artisans make history. Craftsmen created a history, leaving behind a wealth of material resources, but writing the literati, literati literati when writing wisdom _ is always a little higher. To the Qing Dynasty have respect for artisans, but a lengthy history of thousands of years, in fact, has always been the position of the craftsman is not so tall. Therefore, in this cultural context, the Japanese craftsman’s respect continues today, so you can directly to the artisans involved in the creation of culture, often scholars in China to create a. This section is precisely the government can do. I would add that if the government alone to do so, if there is no blood on the ability of the Government to pack a big burden, always rely on the government of blood supply. Governments, civil society is not a big charity, if there is no market, no one is going to consume, and no one to enjoy, and no one to share, or will shrink, even artisan’s self-esteem is also affected. Many crafts are doing brick, do BRIC, they tired bitter, even if he learned that his girlfriend can not find, even self-esteem will be lost, then what about cultural continuity? Today there are many cultures like designers, artists, there is a continuation of many products, so that he can be valuable in today’s life is indispensable.
Qu Shengrui: The Government is also state-led advocacy, community involvement, and I say this not contradictory. There are many entrepreneurs in the development of our traditional handicraft works, such as Sichuan, bamboo craft, the past is the best Shengzhou, Shengzhou, Zhejiang Province this year, do not do nearly all root, but the Sichuan preserved traditional bamboo craft, of course, also the staff is small. Now a well-known foreign brands are very concerned about bamboo craft, I can tell you that in the preparation of a tea yuan in Sichuan also more than 200 dollars, I feel very beautiful. Get Beijing to 2-3 million, to get the European market is sold more than 10 million yuan, the space is very large. I am talking about on this one. Silk also like this, just this year, along with silk tourism development, we are doing, people’s quality awareness is not enough, I said to this forum today is very important to establish an awareness and encourage Chinese people to make own boutique, let the world know more people, cognitive boutique, this time is very important. Only in this way to promote Chinese, you can say that this year, along with the construction of urbanization, China’s cities are houses, you can see very few oriental architecture, so this time the organizers can be elected to such a hotel to organize the forum, I think it very attentively. The hotel can be said that each culture retains a Chinese architectural memories, I personally think that this hotel is a boutique.
But the Chinese people now wear a lot of clothes are Zhejiang, Fujian and other places of production, we can say a lot of people world brands are manufactured in China, but are in the OEM, brand stickers are people, do Chinese people do not can create your own brand? So I think this is very important. Our country in the declaration of the Intangible Cultural Heritage, reported a five garment enterprises, I was responsible for this work, but also the Secretary-General of the Committee of Experts. When the meeting when I said do not comment, the five projects retained are included in the national intangible cultural heritage items, the experts agreed that the results of this assessment is not passed five. China’s five national costume companies are rafts, so we created China’s clothing brand is very important. Let me give you an example, Shenzhen, buttercup silk, silk production is made with a ruler, dyed with buttercup grass, very environmentally friendly techniques. It’s brand last year Museology, signed a 7.5 billion five days product is buttercup silk. So pay attention to Chinese traditional arts and crafts projects to promote traditional arts and crafts projects Inheritance and Protection, founded his own brand name is very important. General embroidery works most of the products are thousands of dollars, tens of thousands of dollars an expensive, Yao master’s two works in the text cross at 67,850,000, space is very large, these works are in the country at this level, if went to Europe, went to the world price will be higher. This requires insight to support, to support the work of our nation’s resources are very rich, very much, there are no people to do the work. So today’s forum is very meaningful, I do not know how many entrepreneurs were invited to participate, entrepreneurs should support them to promote Chinese brands to the world.
Moderator: Thank you, Director, Secretary or referred to under the driving force of the government to encourage active participation of civil society, I ask two industry that you work in the actual heritage promotion process, even if you two are in the industry grading master, everyone is concerned with respect to a number of international brands, you have to make known, then, what is sorely lacking?
Yao Jianping: Then just bend the Secretary said, combined with some of my own work experience to talk about some of my inner thoughts, just comes to a non-material cultural heritage of tradition, to really someone to protect, passed along, the Ministry of Culture for protect the project, each project has established representative inheritors inside, only people would pass from generation to generation. My understanding is that I hope more entrepreneurs to participate, to support, we have been thinking that artistic life, living art. How to live art, embroidery heritage Why are there so many years of history? I understand just Ye Fang teacher also spoke, one is into the palace, one is with people’s lives. Representative inheritors of what to do the work? An Order of the former Kai, the skills of our ancestors put his hands received the baton, but in this era can be combined with modern aesthetic ideas, and create some of the characteristics of the times things, to create some of the era of representative quality work. Which he should pursue.
Also a tradition to do his job, that is, with a good student, and now as we are still in this area, there are no professional embroidery University College, the other has, and now we also adhere to a social responsibility, because it is awarded by the Ministry of National Culture level successors, should fulfill their social responsibility to train an apprentice chef, we train an apprentice chef that era that I gave the teacher, the teacher will not let me the door, I feel bitter 20,000 dollars, who are willing to accept me as long as I give Who is 20,000 dollars, which is in 1990. I was looking for three years did not find a teacher took us eight months later I found the kids at home, and then to learn. We came from small to large, from a repair to the Ministry of Culture awarded embroidered mother’s cultural heritage, and this two thousand years of history do not want to ruin the hands of our generation, so the strong sense of responsibility apprentice, the apprentice is I gave him the money, he did not know came in first needle to give him money because his colleagues, students have the money, a little later a message saying that I am here to work, to work overtime today also get three thousand dollars. We give him two thousand dollars, we should support him 3-5 years, and in the process he will go, because he could not pay me back the money that people give. So this is a status quo.
People like us can support how long? That one is fine spire, he should create a Chinese boutique, he should be to lead the industry, creating masterpieces production. Just put the teacher talked about steel leaves a question, before the system is designed, there are painters, writers to participate in a home for the embroidery tailored manuscript, and now a painting, a third-rate artist to pay attention to this picture How much money, in fact, much more difficult embroidery teacher ratio painter, I have my own embroidery language, then 10 I can only use a manuscript, then who is going to buy 10 manuscript? I can not afford. In this decade what we are doing? But also the way to the flexor Justice report. Goldfish kitten then what we’re learning, and later rose to humanistic portrait is customized services, then that is another one to explore the road of originality. Organize themselves a design team, these are like-minded, they are also to help me, I will talk about my point of view, acupuncture, you come to work for me. Like the lyrics and music, performing with a team. In these years, we have from a small ornaments, completed last year for the Great Hall of the tailored one entry this year, has just completed a Zhongnanhai custom work, I think now the market is very large embroidery, unlike the other hand, as long as you have a good thing, one is to enter the collection. Just bend the two Secretaries referred to our works, we really opened up a channel for this industry, so we went to the tens of millions for the industry to do some work. If you do not achieve its economic value, then the next generation of why people do this thing? He did not benchmark and basis for, and why we need to do in this industry? I would say to one hundred years ago, our masters are supported in the late years, when a small work on to take more than 20,000 U.S. dollars in the international community to get a high reputation, to get a gold medal. Well, this one hundred years of history, we have set up a national institute, the Institute set up to the last old people, institutionalized, and he did not take a good class. We Purely from a private, for dedication and love for this industry, initially did not understand what responsibility is a favorite, and later turned into a work, work today rose to a social responsibility. Here is how to do this one to the stores, we work TTB National Palace Museum of Beijing, but also to achieve a market price.
Another piece of it is also an industry, a huge industry, and there are so a long history, just Peking University, Tsinghua teacher said China has a few things in the world than the Chinese so few things, I think the embroidery will be able to internationally comparable. How to embroidery brand internationalization, one to the stores to do an inside turn towards life, I also take this opportunity to appeal to cross-sectoral cooperation, pull up things inside their stores, resource integration, entrepreneurs intervention designer intervention. This one is focusing on industrial design, graphic design now we want to win with fewer, from tailoring, needle innovation. I am honored to have such a chance, thank you!
Qu Shengrui: Although our country attaches great importance to non-material cultural heritage protection work, but to master the funding is very poor, a representative of the national heritage to 10,000 dollars a year, to encourage them in passing. While I talked about Yao works of masters took how much time the transaction is over sixty-seven million, but to them the team to design development. Now the government with the support of her cover a five-kilometer silk museum. I think she was talking about just now, as we have to make the high-end work, to meet people’s needs, I think it is the issue of creativity, innovation and tradition can be no innovation there is no vitality. Including the tapestry of the brand, and of course there are others, including sculpture, jade, porcelain and so need to have more entrepreneurs support to Chinese traditional craftsmanship in our generation are effectively protected, effective heritage, effective development, to the world.
Moderator: In fact, the Financial Secretary and Ms. Yao two are constantly crying out mainly the lack of talent, there has been interrupted after the invasion. I still want to ask the teacher leaves, referring to the arts we are more metaphysical, how to fall metaphysical metaphysical things, how to make embroidery and tapestry such brand to attract to its peak and senior managers like Mr. bigger area management, you think this should be how to do the middle?
Ye Fang: China has a very interesting cultural identity, cultural identity, Chinese culture is particular about a device and channel, in China there is any substance in the ability and moral, that gives all objects have a moral, spiritual, moral philosophy . In ancient times in this culture is in fact weakening, today’s focus is put back in the cultural life of the Chinese people’s daily erected. In particular we have, for example, to tapestry and embroidery, the former monk pressure bottom of the girls there will be embroidered on the preservation of my house with my grandmother, my grandmother was bound feet, and later released after her feet are deformed, Now she learned calligraphy couplet I still have it. That not only is this technique previously to be respected, but was proud, as his wife said foreign school, you even this is not the case, it can not enter an educated family symbol. Meanwhile at home, said bottomed girls always have a bottom pressure dowry, embroidery Ye Hao, Ye Hao tapestry are essential. At the same time we say that there is a carry ritual that were ancestors of a culture, in this process, we have a couplet, these are very grand embroidery or tapestry product appears when. Embroidery Ye Hao, Ye Hao tapestry at that time not only represents wealth, represent the most noble respect, the most solemn respect, the most superficial respect. We went to religious occasions, whether Confucianism, or channel, or the Buddha, we must work with the most beseeching to express. That is today if we can have in life there is this ethical and moral values, then its use itself has been greatly change their attitudes. While actually includes those practitioners, saying he would find that now we want is a high-end boutique, in addition to a common endpoint, there will be conflicts, today’s electronic has been very well developed, embroidery has been very well developed, many laymen do not see what is embroidery, what is hand-embroidered, in addition to a very nice double-sided embroidery must be on hand. Now many costumes are embroidery, much worse, but we did not use a good idea to treat the concept, it is a product, a profitable formality. So if it may be a simple household embroidery can be done, but if that is an appreciation of the arts, like works of art, as mentioned earlier has been auctioned to such a high value, it is an art re-creation. That re-take the artist’s work through the creation of embroidery artists formed a new work, and that concept is really not the same. Meanwhile in our culture is not there a manual for the respect, it becomes very important, because we have a lot of embroidery. So we are looking for embroidery and hand-embroidered in the process considered only wealth and prices behind it may not take into account that there is a pious respect.
I am talking about a small example, in China’s southwest is down the Mekong River, the Greater Mekong connected in many Southeast Asian countries, these countries have a lot of handwork, and today a lot of foreigners, and even Chinese people themselves are looking once ran along those Southeast Asian countries the heritage of the past with the Greater Mekong hand, but they spread a habit is less common today, is a bamboo workshop do business is very good, but they are only one boss works annually, is the most delicate, the most solemn products, they are donated to the temple.
