Youth pipa player Yang Jing brought us “Yang Jing Pipa master degree Concert” was successfully held at the Central Conservatory of Music Concert Hall. This concert friendship to help the Central Conservatory National Orchestra, under the baton of renowned conductor Peng Jiapeng. Wonderful performances, winning the presence of experts, scholars and audiences high evaluation, prolonged applause, endless.
A total of six concert works, some of the two completed the first half pipa solo, the second half is the pipa and orchestra. A performance of both traditional, such as “geese” (Yang Dajun playing spectrum, Liu Dehai finishing), “Yingzhou tune” seven (primary inflammation spread spectrum Fan, Liu De Hai adaptation); also a large repertoire of modern compositional techniques of creation, as inspiration Pipa overtones from creation made, deep mood “Pipa speech” (Qinwen Chen Song, 2006); from Italy in block letters eight kinds of calligraphy strokes “sweep policy side Lenu hook pecking spine” brush in full cadence, priorities Rhythm, combined Qinqiang bitter tone pitch and creation of “point” (Chen Yi Qu, 1995), also combines Chinese opera style with modern musical language of “drama play – the lute and large national orchestra as” (Liu the long song, 2005); more the Central Conservatory of outstanding young composer Liu Chang specially written for this concert, full of deep friendship and the students look for new work for a better future “look – for the lute and national orchestra as “(Premiere) (2015).
Different music styles, there is another difficulty, whether it is traditional music, or modern repertoire, audiences have to bring a sense of refreshing. If the traditional music study is the player to his left to push, pull, Yin, kneading and other techniques, as well as a performance of style, mastery of flavor, so the first few concerts blend of tradition and modern, East and West composing thinking and performance skills music, it is through the “new” modern playing techniques to render the colorful world lute discourse, and the player of a higher demand. Yang Jing frankly, chose these tracks, which aims to “challenge”: choose the traditional track, intended to challenge the audience familiar with the track for the usual listening experience, his own understanding of the traditional repertoire presented, and then highlight the charm left in music “skill” shaping on; and the choice of modern works, intended by the modern pipa playing techniques perfect interpretation, as reflected in the professional practitioner for pipa difficult modern works ability to control.
Facts have proved that Yang Jing, its just the right degree, and acting freely performance, not only easily interpret profound meaning of each song, and more fully demonstrated her solid basic skills and modernist music of outstanding difficult to grasp . Her mentor, renowned pipa virtuoso Mr. Zhang Jiang also commented: whether it is psychological, technology, music performance space, or the degree of detail, are very mature young virtuoso gesture. It is also a professional capacity Jing Yang fully affirmed.
Mr. Zhang Qiang said Yang Jing, is a more mature music has its own idea of graduate students, and a concert will be held, is 18 years, Yang Jing student learning outcomes summary report stage and musical ideas, it is her artistic career of the pipa “adult ceremony. ” Auditorium towards the door, she would officially have to climb the peak Lute Art “number plate”, will also embark on a broader musical journey! Chinese pipa playing professional stage this “jade plate”, and also will add a dazzling “Pearl”!
