Whistle (by mouth lips, tongue and gas vocal)
Whistle refers to the role of mouth through the lips, tongue, and airflow, will be able to issue “Xiao” the same voice. The methods are: lips closed, leaving a space in the middle, by means of human lips, tongue and sound effects to make the airflow through.
A history of the development
History of Ancient Chinese whistle
Visit Xiao (Xiao and Xiao Yi, commonly known as whistle, the same below) of history, we know that it is one of the early human auditory expressive means. Later, due to its ideographic language superiority occupy a major position in the auditory ideographic means, just as the language of the tsunami supplement (such as the secret agreement and richness) exists. Still later, the tsunami and the ventriloquist and music combine to produce a tsunami Arts, became an art.
As an art, Xiao Yi already has a long history and a considerable degree of glory:
China’s first poetry collection, “The Book of Songs,” where there is documented.
Han, Wei began celebrities (such as Zhuge Liang, Cao Zhi, etc.)) playing.
Jin Dynasty celebrities, Ruan fame Bamboo Grove, one of the leaders of large and high performance levels. Momentary celebrities competing Mu Xi, common practice. Writers, musicians into the public Sui Xiao Yi was a high status with its stylistic summary, written in the “Xiao Fu.”
Nine Lok Sui and Tang Dynasties, there are ten music Xiao Ye.
To the Tang Dynasty, SUN Guang and its theoretical summary, the author of “Xiao purpose.”
Refers tsunami records began when five generations.
Xiao Yi Ming Dynasty is considered almost monastic seclusion compulsory.
Whistle developments elsewhere in the world
Refers to the earliest recorded tsunami ancient India and Buddhist scriptures.
European Baroque period, there Xiao Yue (commonly also called whistle, the same below) playing records.
In 1886, four children’s mother Alis Shaw Xiao Le premiere in New York, USA sensation.
In 1888, she co-operation with 乔贝蒙 irrigation system, the world’s first music album a tsunami, its performance was “in Venice.”
In 1909, Miss Agnes Woodward in California founded the world’s first, and so far the most successful tsunami Arts School (to the 1940s, the United States has six such schools, where the Los Angeles schools Admission ages 6-60 years old, graduated to film, television, radio and any dubbing, high, medium, bass and coloratura, lyric and other classes, and playing content robins Act). There are 30 girls and the organization of “bird Xiao Arts Orchestra”, very popular.
In 1923, Miss Agnes Woodward relegated to “Xiao Yi,” published in New York.
American Fred Luo Eli 1930s Horace Hurd is the most critically acclaimed band of actors, mastering more than a dozen music albums tsunami. The “Indian love call” sold one million or more.
Xiao Arts Club was founded in Texas.
(Day) Lin Kenzo “East Asian musical instrument test” chapters “gas instrument” – “Xiao (whistle) and refers to the Flute” (referring to the tsunami), talking about the role of its nature, history, methods of articulation and in South and East Asia case (Music publishers, 1962) in the history of
1973 Spring, North Carolina Louisburg a college party performances in tsunami Arts program, very popular. Spring of 1974, the country folk spontaneously aggregated into American International Tsunami Art Contest. To 1984, has organized dozens of countries have good players to participate in the 31 th tsunami arts contest. And has a national tsunami Arts Museum.
Fall of 1978, began the international tsunami Arts Competition. In 1981, the Los Angeles arts school graduate Xiao Nancy Otto became the only female championship. Autumn of 1985, the eighth in the United States was held in Carson City, Nevada, 51 artists from around the world to participate, grand gratifying. April 2002 18 – 29th place in Louisburg, North Carolina 21.
In 1905, American composer, trombonist Xiao Bo Laier music written specifically for “whistle and puppy.”
1957 out of 1958, won the best music Oscar’s big seven “River Kwai” in the Xiao Yue “Porgy Colonel March” has become the theme song of the movie, also known as “River Kwai March.” According to “China whistle” reported that currently there are 205 such songs as much.
American 俄克拉斯玛 governor proclaimed 2001 October 18 – 21, 2011 as the first tsunami fun week. 2002 14 – 20, 2011 for the second, 17 – held the first session of the tsunami American Music Festival at its Tulsa 20.
Development of modern Chinese whistle
(The following press time, but sometimes unknown by name in alphabetical order, and above the main reported effects of provincial and municipal activities or events)
20th Century
1937 Mr. Zhao Yintang published “Xiao Song’s rise and fall with the sounds reasonable interpretation” (first published in the “Central Daily” History Supplement, the attached “and rhyme origins” Commercial Press, 1957 edition).
1940s, Mr. Zhang Leping “San Mao Arms” album has two San Mao in uniform walking blown tsunami: one for early into the barracks after a play devil meritorious.
1982 issue of the Hungarian Huck Thomas Xiao Yue album.
1980s, China Symphony Orchestra oboist Mr. Zhang Di and Xiao in Beijing Haidian Opera music “Nighthawk” Mr. Liu Shikun accompaniment pianist, Luotian Chan, Zhang Yan equivalent units show, warmly welcomed by the audience and the media high marks , became the first person to Chinese modern music will howl into formal music scene. After the tsunami tape music “whistle and Orchestra”, “Hungarian scenery.” Violinist Chen Qiu Xin, composer Mr. Bian Xiao pictures also started playing music publicly.
In 1983, Mr. Chen Zhenzhong 160 candidates who have emerged as the only tsunami Shanghai Hongkou music group music performers.
When Sun Machine published “Wei and Jin dynasties,” Xiao “(” History of knowledge in 1983 7) with “America’s hermit poet shouts” Song Without Words Are issues “involved in the discussion of a text,” an overview of the “tsunami” of historical development, but also analyzes the difference between Xiao and songs.
1984
Mr. Chen Zhenzhong audio and video recordings in China Corporation Shanghai Branch of the “wonderful whistle” Xiao Le tape, later reprinted many times. December and invited to Xiao Yue Guangzhou Friendship Theatre, the audience burst into applause.
Chow Chi Ming creation or close and performances Xiao Song “pleasant Education”, “Railway Guerrillas theme Capriccio,” “She rural Spring” and other coastal cities in Zhejiang Province theatrical festival of dance and music festival, the Second National Disabled Eastern Region theatrical festival performances have been winning.
1985 Miss Wang Fang Xiao began to try and music performances in Dalian provinces and cities nationwide theatrical troupes, and made a lot of achievements.
1986
Mr. Li Youqing in Shenzhen, Guangdong Youth Palace “Coral” welcome party music playing Xiao “Youth Melody” by the audience and leading praise. After the delegation was invited to perform in Zhuhai, the same sensation.
July Mr. Liu Zancheng participate condolences groups more than twenty units in Qinghai province, western condolences key project workers first performance refers to the tsunami.
The night of Dec. 13, Mr. Chen Zhenzhong at Shanghai Stadium “humanitarian in my heart” on a variety show, with the famous actor Topol, Yang Chunxia, Xu Yulan, Xiao Yan Weiwen equivalent units performing music, forced to return to the field even blowing seven, made a special trip organized by the China CDPF Chairman Deng praised the party.
Mr. Yuan Shoupeng as college students in the Department of Music Teachers Yinchuan watching the show, was invited to perform Xiao Yue “Why Are the Flowers So Red”, which won the most applause.
1987
Mr. Chen Zhenzhong Xiao music festival to participate in China’s first award-winning.
Foshan, Guangdong music group signed with Mr. Li Youqing and its handling of leave without pay.
Mr. Xu Jinxin invited by the Jilin Provincial People’s Broadcasting Station broadcast Xiao music recording program, with good results. In August Yuekao Ru Jilin Chemical Fiber Factory Backstage, Xiao Yue to become a professional actor. Jilin Songhua has won the Second Prize Autumn Festival performances whistle; Jilin Province, the first mass broadcasting theatrical Outstanding Performance Award, first prize workers theatrical festival performances whistle.
1988 Mr. Cao Qingyue participate in Qingdao People’s Broadcasting Station Spring Festival Gala, playing Xiao Yue “White.”
1989
Xu Jinxin writing “whistle music law.”
November 4, Zhejiang Province, People’s Radio “Zhejiang music” broadcast “Chow Chi Ming whistle music appreciation” episodes.
1990
Mr. Cao Qingyue Xiao music recording personal first album “whistle music – dance album.”
Mr. Li Youqing become Taiwan’s entertainment company A does not fall Beijing “tumbler” Entertainment City resident invited signing Xiao Yue actor. After invited to CCTV 28 “variety show” Xiao music performances, to be successful.
Mr. Liu Jianguo Xiao Yue even by Wuhan City, Hubei Province, China Disabled literary awards competition.
July Mr. Liu Zancheng refers to the tsunami was the second prize at the National Performing Arts Festival in the armed forces.
Lehman issued a “God-given The Magic Flute,” Xiao Yi describes the situation around the world (World Knowledge Illustrated, 1990 11 24-26).
1991 Mr. Chen Zhenzhong Xiao orchestra in the country five recommendations were to the fore, the China Disabled Art Troupe was selected for the 14 programs only Xiao music soloist, and became the Shanghai Orchestra music team invited actor. Several tour or on the same stage with Qin Yi, statements, Hu Songhua, 赵宗祥 so on.
1992
Xia Yan Chau published “” Xiao “release” (yellow bell 1992 4 97-101), is the study of Chinese music “tsunami,” the first scientific papers, a comprehensive discussion of the nature, type, history, features and functions.
Mr. Wang Minglei participate in Xinxiang City Star Theater “Kara OK” singing contest, music played by the tsunami, “Waves of the Danube” by the praise. June, played the “Three Gorges Love” was Xinxiang City, “the new one hundred Cup” Kara OK Singer Competition Special Award for outstanding singer. November to participate in the city “Gold Lion Cup” Kara OK performances add to the fun singing contest finals, playing “dove”, was called “Makino Golden Whistle.”
Mr. Cao Qingyue Zhang Xiao Yue recording his second album “Whistle Music – Chinese movie Oldies”, and participated in the Weifang International Kite Festival several times and 侯跃文, Shi Shengjie, Zhao Bao Le, huan, Liu Bin same stage.
1993
March CCTV “art landscape” as Mr. Cao Qingyue first recorded Chinese Xiao Le MTV “curved moon.” Shenzhen Yushchenko Entertainment recording his third album, as Mr. Cao Qingyue, Zhang Xiao, China’s first music CD album “whistle King – foreign songs Collection”
Mr. Liu Jianguo Xiao Le Disabled Art Troupe was transferred to Hubei Province, Hubei Province and on behalf of Beijing, won the Ministry of Civil Affairs, the Ministry of Radio, the disabled, people with disabilities theatrical festival organized by the Board of Education Excellence Award.
Mr. Wei Anmin invited to Shanghai Great World Guinness headquarters Chinese performances. Seven times to CCTV, Qu Yuan miscellaneous altar, IWC silhouette, Chinese style, Divine big stage, City Lights, etc. for finger Xiao performances, known as the “Divine Xiao refers to the first person.” Over the years, has been to factories, schools, military units, offices, streets and other volunteer workers for the flood control officers and men, the disabled, the elderly welfare, foreign dignitaries, youth slipped more than 300 performances.
1994
To 1997 in Shandong, Qingdao TV interview repeatedly introduced Mr. Cao Qingyue of Xiao Le art.
October 7 Mr. Liu Zancheng Qinghai Armed Police Corps Delegation to participate in the CCTV studio hall in the National People’s Armed Police Headquarters Xiao Performing Arts Festival using means “a bird earners”, when subjected to the Chairman and General Secretary of the Chinese Musicians Association of Mongolian music praise and cordial meeting. After becoming Chinese Musicians Association.
1995
Mr. Yan Hongming attend the National Summer Institute, teaching and research of ancient Chinese Teachers Inner Mongolia Dongsheng annual meeting, with only the tsunami of Mongolian singer accompaniment.
Mr. Cao Qingyue stadium in Qingdao large theatrical show with golden October Zuying, Lin Yilun, Tang Guoqiang, Zhao Pernod “Three Kingdoms” crew of dancers with Xiao Le.
Mr. Wei Anmin invited to Shanghai Great World Guinness headquarters Chinese performances.
1996
Mr. Wei Anmin sent a letter to Deputy Mayor of Wuhan Li Xiansheng (he served as mayor) made recommendations to promote Xiao Yi, received June 28 reply, be encouraged and affirmed.
Mr. Cao Qingyue invited to Shandong TV “Yizhong performing arts theater” performances.
1997
Mr. Fan Ziye published “On the tsunami” (seeking SCIENCE 1997 4).
Summer, Mr. Li Lizhong invited to participate in Hebei radio variety show performances, the same year they were invited to participate in the live radio variety show in Shijiazhuang.
September Xu Jiang (aka Yongqiang) Mr. in their restaurant in Xi’an, Xi’an to visit with the Central Philharmonic Orchestra performances, and Mr. Zhang Di, popular lessons. After the topic has been conducted broadcast media coverage of Shaanxi Province, television and newspapers.
Mr. Liu Jianguo with the Hubei Provincial Opera and Dance Theatre Xiao Yang Fengxian music director of “The Butterfly Lovers Love Rhyme” Beijing competition, won the special honorary award.
1998
June Mr. Li Youqing by CCTV “gathered” program group invited to give Xiao music program. September also by CCTV “World Village” Invite performances.
August Mr. Liu Zancheng in Xining, Lanzhou Railway Bureau of Public Security on four Ghanaian and Ivorian foreign guests gala organized by the tsunami means playing ‘ambition to speak worry, “dumping the audience.
1999
Mr. Fan Ziye published “On Ruan Xiao Shan” (Northern Forum 1999 4).
Summer, Mr. Wang Minglei playing “Lament” in Zhengzhou Deyi Opera, to be successful.
2000
June Mr. Li Lizhong Xiao founded China’s first professional music website “Chinese whistle network.”
September Mr. 晏鸿鸣 attend the Fifth National Symposium on Ancient Chinese Chinese Jinan University in Guangzhou, organized by the party organization of the session, with only the North Shaoyong Hai Xiao teacher to sing folk songs and other accompaniment.
December 30, participated on behalf of Mr. Wang Minglei Xinxiang City Arts Festival New Year’s won the first prize.
2001
Mr. Wang Minglei representatives to participate in the education system in Xinxiang City Spring Festival gala gold medal. April by Henan TV “Sunday Challenge” invited to participate in the first 97 performances, November and by Henan TV “City 100” invited to participate in the first seven performances. December 14, “Xinxiang Daily” version 7 of “Makino Golden Whistle” as the title describes Mr. Wang Minglei of Xiao Le. December 20, Xinxiang People’s Radio “Goodnight · Xinxiang” broadcast a comprehensive coverage of Mr. Wang Minglei’s.
August 19 Mr. Li Lizhong accepted CCTV “Oriental Horizon” interview, the same year was invited to CCTV Channel Seven Variety Show “World Village” be unique skills performances.
December Central Television Arts Channel “into the behind the scenes” section describes Mr. Cao Qingyue of Xiao Le art, playing with his American film “The Godfather” theme song “gentle talk” MTV.
CCTV set of “documentary Window” aired a report Chow Chi Ming Xiao Yue topic “mind blowing song.”
Mr. Fan Ziye published “Ancient people living in the study” (Shandong Education Press, 2001).
2002
Spring Festival as a special guest host Mr. Li Youqing CCTV special program “booming celebration” and Xiao music performances.
April 5 Henan “Education Times” published a front page story Mr. Wang Minglei long newsletter. November 26 “China Education” version 8 to “blow feelings” as the title describes its Xiao Le art. Also invited to participate in the education system in Xinxiang City gala performance celebrating the Congress.
Mr. Zhang Yingbin published “Howl and Jian Jian literary” (Central South University for Nationalities in 2002 4 102).
June 7 Mr. Cao Qingyue collaboration with Hisense Symphony Orchestra, the first held in China and Asia tsunami symphonic music concert hall in Qingdao sunshine.
August Mr. Wei Anmin invited to Hangzhou for Chinese TV Guinness performances. September Mr. Wei Anmin participate in Hubei Province inaugural Grand Prix Masterly Skills refers to the tsunami played for the gold medal.
December 24 CCTV “with a blue sky” broadcast “the little boy whistling” Following last week’s tsunami Yixiao music more.
Miss Chen Xiao organization “whistle blowing Wenzhou Blind Youth Team”, by the music industry attention, Wenzhou, Zhejiang, Wenzhou TV “Living Legend” section for special reports.
Mr. Li Lizhong established “China whistle network”, which is China’s first whistle music website. In the same year, in Shijiazhuang City hosted the “China whistle seminar.”
Mr. Yan Hongming participate Wuhan University International Symposium speech and language learning in the get-together, and was invited to perform solo Acts tsunami “radiant.”
2003
January 2 Mr. Li Youqing Xiao Yue in Tianjin TV evening performances sponsored by the warm welcome.
January 14th China Education Television “Chinese teachers” column to the “podium · Stage” reported Mr. Wang Minglei title theme. Participate in the Beijing municipal government organized during the winter, “Yanshan Love” Art Troupe, subject to special praise. “Xinxiang Radio and Television News” 6 shouts “Makino Golden Whistle screen style show” Xiao Yue reported their art. November Henan TV “Evening News”, Xinxiang, “News Network” to “Golden Whistle – Wang Minglei” Xiao Yue reported their art. November 23 “Xinxiang Daily” weekend edition of “From the pulpit to the stage,” its follow-up report. December Xinxiang Education Television “social window” column to the “Golden Whistle strung colorful life” as the title of its report Xiao Yue art.
Mr. Li Lizhong 2003 CCTV Spring Festival Gala “Spirit song – the mainstay celebrate Chinese New Year” and Lee ancient one, Yin Xiumei, off Kimura, Yan Weiwen equivalent units in the “blowing skills duet” situational performances first appearance, Xiao Le debut duet “I wish you a happy,” was the highlight for the radio program evaluation. May 22 Mr. Li Lizhong with CCTV “into science” in Shijiazhuang City, the filming of “Happy Science -” blowing “knowledge.”
September 1st Anhui TV “Oriental Chronicle” program broadcast Mr. Cao Qingyue Xiao Le thematic program “whistle King” (he also organized the “whistle Salon” site).
December Miss Chen Xiao led the team in Wenzhou City special education schools for student art show’s best performances and instructor award, Wenzhou Cable TV reported. Third, Zhejiang Province, and later obtained a blind, deaf, mentally retarded student art show prize and instructor award.
2004
January Mr. Xiao Yan Hongming preparations for the establishment of Wuhan City Arts Research and Development Association, Mr. Yan Ran help build the site, rendering web pages, input profiles, planning, the draft constitution. Then create an event record, extra-territorial dynamics, contacts at the site.
April Miss Chen Xiao troupe invited by Zhejiang Province with disabilities in national legal Disabled Day 5.16 as Xiao Le Gala program instructor acclaim.
August 12, (Bo) Mr. Hung spinach founded the first Internet chat rooms a whistle “whistle exchanges.”
National Day eve, Xinxiang Municipal Propaganda Department, Literary Federation held “China’s first whistle Competition”, dozens of experts participating country, achieved great success.
2005
September 16 Xinxiang established the nation’s first professional body “Xiao station whistle Art Research Association” (Yu Xinmin Society Zheng Zi No. 0231).
2006
October 18, “China whistle Art Forum” website officially released. December 13 was approved by the Ministry of Information Industry and the record.
2008
Whistle organizational development and growth, has set up a “Beijing whistle Music Association”, “China whistle Association,” “Beijing whistle Friends Club” and other organizations.
2009
March 7, Qingdao whistles art research establishment, Mr. Cao Qingyue any Research Association.
April. Mr. Cao Qingyue alone participated in the birthplace of the American whistle whistle at the 36th World Series and won awards. Mr. Cao Qingyue published “lip pure” whistle album is also the U.S. National Library collections and exhibitions.
In early September, the World Arts Council approve the application whistle whistle Art Research Association, Qingdao, formal notification: Consent of the 2010 bid to host the 37th World Series whistle to whistle, Qingdao City Art Institute.
October 4 -6, 37th World Whistle Competition (organizer) preparatory meeting for the first meeting was held in Qingdao, China.
Two principle methods and techniques using tongue
According to scientific practice has proved that the tongue acts as an important role in the process of whistle. Tongue itself can not shake the sound, but you can control the air flow, squeezing air mouth, oral cavity volume change to change the pitch of the whistle (Note: only the pitch), the level of sound is determined by the vibration frequency, proportional relationship between the two : the number of multi-frequency vibration of the sound “high”, otherwise “low”, the ultimate effect is to change the frequency of the tongue. A good whistle player’s training, a very important point is to learn to use his tongue to master the pitch, to the high-end ultra-low sound and subwoofer practice is to pay attention to the tongue tie.
Not deliberately placed tongue dogma, but one principle: to try to make the air flow barrier through (you can not rolled his tongue right), when the treble to narrow mouth with tongue volume, bass is to make the mouth larger inflatable, during which you want to rely on the activities of the jaw with. Airflow is always passed from the tongue, so the tongue and the palate of the end of the opening size of the change in priorities has to flow off effect
Record level: small volume treble Rapids, bass slow large volume (Rapids: here is relative not mean to let you blow hard, but to make the air flow at a flow rate becomes larger lips, empathy, “slow” is also true)
Wang Minglei talk whistle
Whistle, the ancient Chinese called “tsunami”, also known as “blowing lip” “People, No. million, blowing lip boiling land”, “blowing who, in order to make teeth gnawing lips blowing, whose voice was like a hawk” whistle through the air and double-lip friction as the sound source to the chest, throat, mouth, nose and other body as an instrument to resonate. When hekou blowing, adjust lips, incisors, tongue, a flow rate of air through the air intake between the two lips, will produce audible friction edges. When the lips forward extension, voice tube becomes longer, the air inlet becomes smaller, easy to produce treble; gear collapsed when the lips move, larger air intakes, easy to produce bass.
Whistle blowing musical range according to the level of those who are different, not quite the same range. Whistle blowing professional who is concerned, no matter who range has three partitions, namely bass, midrange and treble region. For starters speaking, one can start whistling sound emitted is basically sound Alto district. To play a good whistle, whistle blowing must master the method, the method is as follows:
An external blow phonics
Blow pronunciation exercises should be conducted outside in calm conditions, we should focus all our energy to all blew up consciousness. The method is: Take a deep breath, let the chest, abdomen, lungs better air retention, allowing the tongue to withstand lower teeth, the whole central slightly tongue drum, natural gas is formed between the two lips of a mouth, maintaining the status quo. Then, let the body retention of gas blown out through the air intake slowly. At this point, you should note that the problem is under control of the nasal cavity, do not let the air flow from the nasal cavity. Do not worry when you blow blowing outward breath after blowing slowly in a controlled manner, inhale and then blow. These are the body retention method whistle blowing out gas emitted sound, so called “outside blowing phonics.”
Start practicing pronunciation blowing outside, often blowing no voice. It does not matter, it is difficult for beginners to start to be able to blow out loud. After the completion of the first blowing outside, followed by the next, repeated more practice, you can blow out a sound slowly whirring sound. Thus, by the human auditory organ, to the sound to the brain, muscle force quickly find the mouth feeling after brain receives this signal, so that the mouth muscle gradually stereotypes.
(A) the use of breath pronunciation practice outside blow when
1. After inhale, the diaphragm uplift, abdominal contractions, breast fixation, air intakes closed, the slow pressure feed air to the lungs of the oral cavity. Thus, the oral form a pressure, which is “mouth pressure.” When the external atmospheric pressure is greater than the mouth, breath in the mouth will automatically exhaled air out through the mouth. Breath is blown out, we must carefully adjust the air inlet between the upper and lower lips, making audible.
2. Flow is proportional to the volume size and atmosphere, the greater the flow, the greater the volume; flow is smaller, the smaller the volume. Inversely proportional to the size and volume of air intake, air intake greater the volume, the lower the; smaller air intake, the greater the volume, the higher.
(B) the volume of exercise
The volume level of the music is life whistle, to issue a beautiful mellow whistles must be volume practice. There are two ways to practice the volume;
1. Blow to the maximum volume. After sounded, continue. Consciously control the diaphragm, abdominal muscles, so that uniform air flow supplied to the mouth. Practiced brain, hearing, oral, nasal and other organs of resonance induction sounding of both smooth feel have resonance.
2. Sound from small to large and then smaller. The sounding of the first whisper blowing, and gradually become larger, the maximum time to maintain some time, most recently to the sound disappears, somewhat similar to the fire engine purr.
For starters, practiced a few months after basic training, they will be able to properly blow a small number of songs, one is more fun for learners whistle, the second is to make learners feel brain receives this whistle music . This practice is necessary to slow through this exercise, beginners will have some whistles techniques unknowingly.
Second, the absorption phonics
The absorption pronunciation exercises should also be carried out in calm conditions, we should focus all our energy to suck all the loud whistling sound awareness of the issue of up process. The methods are: a deep breath, let the body retention of gas as possible. Let tongue withstand the next tooth, the whole central slightly tongue drum, forming a natural port between the two lips, keep the status quo. Then, the slow gas in vitro by inhalation port. Do not inhale inward fast, must be controlled so that the diaphragm sink, chest, abdominal expansion, slowly inhaled the gas. After the completion of the first inspiratory activity, and then suck the breath. Such close cooperation by the relevant organs of the human hair export whistle suction method body, called “the absorption of phonics.”
The absorption pronunciation and external whistle blowing in the wind pronunciation often used in combination, so very easy to play by playing all types of music. The same as the violin, not only to use the bow, and use under the bow of the music playing is very convenient. So wanted to be a comprehensive whistle player, it is best to suck phonics within grasp.
The absorption of articulation and pronunciation outside blowing method has in common, and that is resonating feeling, lip, tongue positions are consistent. The difference, pronounced outside the body blow blowing process, but the pronunciation is sucked into the suction process in vivo. Outside the absorption pronunciation should blow pronunciation with practice, the closer the better sound effects.
Third, low-scale and high scale blowing method
(A) low-scale wind Methods
First, pronounced midrange area, to find resonance, it is often pronounce the sound area, in pronunciation to the bass, while the brain to form the idea of a fat bass, performed with the relevant organs controlled by the brain.
C tune a pronunciation down from, from under the tongue to all the teeth, upper and lower lips along with lower sound and forward drums, air intake, oral cavity also increased, the flow rate of air flow slows down accordingly, so that the upper and lower lip vibration frequency change is small, the sound emitted is relatively low. Unable to pronounce the sound until a pronunciation finished lower bass.
Note that when practicing the bass intonation problems before pronunciation, intonation brain must have the concept of best practice with the matter sorted out the piano, this practice is very necessary.
After playing bass pronunciation method approach to master, then the Central District to the treble sound playing exercises.
(B) The method of high-scale wind
The first, the Central District tone began to sound, to find resonance tone. Pronunciation tune to C 1, the tongue has withstood the next tooth. When further on pronunciation, air intake, oral gradually smaller. Pronunciation up more, cheeks, lips and tongue up and down the more nervous. When the air intake, oral can become longer hours, to complete a treble practice.
When the whistle nasal pronunciation exercises little change, an echo when practicing the best place, which is to improve the resonance of music whistle, whistle sounds good for landscaping.
Fourth, over the sound of playing methods
Said over the sound, referring too loud whistle sound. Whistle music itself is concerned, the sound feels relatively sharp, fine.
If no volume is too large, the climax of musical works for some treatment, expression is not strong, affecting the quality of the entire work. Over the sound for live performance is all the more important.
To make the volume the greater the amount of suction or blowing must be large. At the same time, have a good whistle resonance tone. So have the strength and intensity of the entire sound, high and whistles to be able to mellow it, rather than send sharp, dry.
When pronunciation sounds too often the flow increased, but no sound coming. This is due to play by the brain’s auditory and pronunciation disorders, resonance induction has not adapted well. Volume size also has a relationship with the nasal cavity, nasal cavity with increasing volume, increases. Reduce the volume, nasal decreases.
Because too difficult to grasp the phonetic pronunciation resonance, and a large abdominal exercise, oral lips are tight. So practice time not too long.
Fifth, the flat sound playing method
Whistling sound emitted feels very smooth, very small fluctuations, so called “flat tone.” Its pronunciation is: find resonance sounded, the tongue, air intake, oral or chest, abdomen, diaphragm under the premise of maintaining a controlled setting, uniform supply to the air intake. Sound level playing method commonly used in some of the lyrical, the volatility is not the song.
Six Boeing blowing method
Whistling sound emitted feels like a flute vibrato, there are large fluctuations, so as “Boeing” its playing method: first issued in the state level tone, and then rely on the tongue tongue fluctuate so quickly blocked air intake this airflow through the air inlet flow fluctuates.
Boeing’s choice, according to the track to be, can not mess with no destination, otherwise it will affect the expression of the song.
Seven, the portamento playing method
Glide into the portamento, falling tone, fast portamento, slow glide, glide short. Generally want to play with more than two octaves is playing portamento premise.
Whistle blowing down portamento often used in motion. Depending did some tracks with much glide a little, and some a little less. Since each person’s understanding of music is not the same, when the use of portamento, according to the work style and personal habits to be.
Portamento is generally used on the absorption of phonics is completed, the portamento playing methods: bass to treble pronunciation, air intake, oral descending changes, while the lower teeth and tongue from the bottom position between the upper and lower teeth bit into a gas port.
If it is fast portamento, then air intake, oral change soon. If it is a slow glide, oral, Stoma slow. If you are short on portamento, air intake, oral suddenly become smaller after abruptly. Why air intake, oral suddenly becomes big? In order to destroy the original resonance state, abruptly, the sound will suddenly gone, and it is also called silencing method.
Why rely port changes to the muffler mouth, without stopping the supply of the atmosphere to the silencer it? Because, when the air supply is stopped suddenly due to the inertia of the air flow there, and a small portion through the air port, so that the vibration of the lips pronunciation. So, there are lingering issued, the sound elimination is not clean, can not appear short of feeling.
Eight, fell sound playing method
Declined to pronounce the sound is from the treble bass, usually with foreign completed blow phonics. Fell sound playing methods: treble to bass pronunciation, air intake, oral small to large changes, while the tongue between the upper and lower teeth bit into the gas port blocked by the air intake position.
At the end of musical works, often used to decline tone. By the end of the whole song sound decline was mainly the end giving a clean, agile feel.
Nine, single tonguing blowing method
Single tonguing is mainly applied to the outer blowing pronunciation. Said single spit, is a sound one sound pronounced, sound and tone are not connected. Their playing methods: abdominal muscles, diaphragm control breath, and then, by the abdominal muscles, diaphragm rhythmically squeeze the body cavity, the mouth of the gas inlet and the impact sent whistle sounds.
Single tonguing features: sound full, good intensity. Single spit pronunciation exercises, one short workout feeling sympathy, the second is to exercise control of the breath rhythmically. Single-tonguing technique good grasp of the pronunciation of the double tonguing it easier.
Ten, double tonguing blowing method
On the basis of a single tone on the spit, issued consecutive two methods whistle sound is playing double spit method. Double tonguing have more rhythm when playing a strong sense of rhythm, melody and more sixteenth note, you must use double tonguing.
Double tonguing resonate with single tonguing feel the same, but the double-tonguing twice as fast as single tonguing speed. Whether single or double tonguing tonguing, cheeks are obviously out of a drum of a drum, which illustrates the basic correct pronunciation.
Mastered the single spit playing method, playing the double spit method, you can make three spit, and even spit pronunciation exercises.
XI, tremolo playing method
Vibrato in the song where strong performance will often move. Its pronunciation method: making ultra-sound playing when the tongue top tight air intake, and a little up and down vibration audible.
Quan Yun Tan whistle
First, the concept of whistle
“Whistle” is the word “mouth” and “Shaw” component, “Shaw” links “Shaw.” “Xiao” is a wind instrument, the ancient row together with many bamboo made, generally with a modern bamboo made direct blow can sound. “Mouth” and “Xiao” combined into a “mouth Xiao”, meaning refers to the issue “Xiao” This wind instrument sounds directly from the “mouth”, which is the “whistle.”
We say, whistles refers to the flow of people and lips of friction for the sound source to the chest, throat, mouth, nose and other body to resonate, by adjusting the lips, incisors, tongue, when a flow rate of air flow through the two lips edge friction sound issued.
Later, word experts also create a “tsunami” word. “Xiao” word meaning: First, the long hair and the crisp sound of the human population, but also refers to playing whistle; second refers to lengthen the sound emitted by animals; Third, the nature of a sound emitted; fourth is described as aircraft, the sound of bullets flying.
Second, the whistle of the emergence and development
Whistle is not always there. It is produced with the generation of human beings naturally occurring. Whistle generation older than language, writing, earlier in ventriloquism, music and songs.
Because the main whistle is the “man”, so no human before, whistles does not exist. With the development of nature, human beings produce, whistle is naturally produced. When humans just generated, no one active, conscious issued whistle sounds, it has a long development process. At first whistle, human breathing process is naturally occurring. In ancient societies, because productivity is extremely low, humans hunt for food is very difficult, nomadic and gregarious life, when in a state of sleep fatigue, and sometimes the use of mouth instead of the nose breathing. In the breathing process, there will be a collision lips and teeth and respiratory airflow, then a relatively small sound from the mouth of the seeds is the whistle.
With the development of productive forces and the human evolution, pronunciation can gradually develop from natural breathing to mimic some of the birds, insects and other animal sounds. To hunt for more human food, they imitate the human voice and the sounds of nature all kinds of animals, and sometimes also use it as a tool to convey information signal. In victory or happy human joy, when this strange and beautiful sound is also often used to enjoy the carnival. This way when people pronounce purposeful, conscious to interpret this time whistle officially born.
Later, with the development of society, as well as language and text generation, ventriloquist, music and songs have gradually produced.
Third, the relationship between ventriloquist whistles, music
Some people say “whistle should belong to the category of music, because with beautiful music can blow the whistle, so it should be a music category.” Some people say, “Whistle is the mouth of the effort, is that people use to express the feelings of the mouth of an art , so it should belong to the category ventriloquist. “above views are not comprehensive.
Whistle with mouth to express thoughts and feelings of a unique artistic expression. Whistle simply can not unilaterally into areas ventriloquist or music. However, whistles and ventriloquist and music are closely linked. With the development of human history, ventriloquist and music learning and use of the whistle of expression. Ventriloquist and music which are integrated into the content of the whistle.
First, from the relationship between the ventriloquist and whistles of view, is a ventriloquist acrobatics, folk arts program (of which there ventriloquism). The use of the mouth, tongue, throat, nose, and so on pronunciation skills to mimic a variety of sounds, such as a train sound, the sound of birds, etc., with action performances, enhance realism. Ancient said ventriloquist as “crosstalk”, taking imitation sound of Italy, is an imitation of the sound art, is still popular. Thus, in the form of a ventriloquist show, many of the performers not only simulate the use of the whistle of expression, such as birdsong, the sound …. shells, but also use a lot of nasal, throat sound like. So, whistles and include areas not replace the entire ventriloquist, it’s just a ventriloquist often use one of artistic expression.
Second, the relationship between music and the whistle of view, the use of music is organized to express musical thoughts and feelings of the people, an artistic reflection of real life. Vocal and instrumental music can be divided into two sectors. Although the mouth and whistle through the interaction of the lips, tongue and airflow and sound, but that it can simulate all kinds of singers in vocal singing, but also in all kinds of music instrument simulator. Visible, whistles can fully express the music, so the music content richer and fulfilling.
Third, from the reality of arts performances, whether it is used to express the art of music, whistle, or a ventriloquist with a whistle to the interpretation of art, and are too numerous to mention. Many ventriloquist and music using the whistle to the interpretation of the basic functions of play, and some tracks are based on real-life material to whistle while authoring; and whistles and the help of a ventriloquist and music to play, to make it more perfect sounds.
Visible, whistles is a separate cultural and artistic categories. Whistle relationship with ventriloquist, musical interaction, mutually reinforcing relationship.
Fourth, the whistle of the species
Many types of whistles, from a different angle to divide the following:
(A) from the primary and secondary use of tools can be divided into:
1. Lip whistle: a people’s lips, tongue, airflow elements, they interact and whistle sounds.
2. Hand whistle: a people’s hands (one finger bent, hands fingers, double thumb, etc.), lips, tongue, airflow elements, they interact and whistle sounds.
3. Tooth whistle: a people’s teeth, throat, tongue, airflow elements, they interact and whistle sounds.
4. Tongue whistle: a people’s tongue, mouth, airflow elements, they interact and whistle sounds.
5. Line post: by means of a linear (e.g., a rubber band, string line) objects in the lips of the title intermediate which, by friction generated airflow whistle sounds.
6. Leaf post: by means of leaf-shaped (e.g., leaves, paper, film) objects in the lips of the title intermediate which, by friction generated airflow whistle sounds.
7. Hollow post: by means of a hollow shape (e.g., a bottle, jar) object, the title of the lips at the edge of the mouth of the hollow object, and the airflow through the hollow body of the lips friction generating whistling sound.
8. Solid post: is the use of a variety of human solid texture whistle, people will be able to directly produce sound with mouth blown whistle.
The first four types are not used, and whistle sounds outside the human body without the aid of an object, the application and the help of all four types of objects rather than human whistle sounds.
(B) From the interpretation of the object can be divided into:
1. Whistle Song: is the use of the whistle to the interpretation of classical and modern songs, dance and other music.
2 whistle instrument: is the use of a whistle to imitate the erhu, dizi, suona, Hulusi, mouth flute and other instruments.
3 whistle Opera: is the use of the whistle to the interpretation of traditional and contemporary opera, Peking Opera, opera, opera, opera and other stick.
4 comic whistle: whistle to imitate the sound is to use the language of human nature, animal sounds and a variety of things given.
(C) the use of the perspective from the gas stream can be divided into:
1 outside the whistle. Refers to the body after the suction gas retention in the process of blowing out through the fluctuations of the tongue and two lips tightening and relaxation, they interact and whistle sounds.
2 the absorption whistle. Refers to the expiration of the in vitro process of gas inhaled through the tongue and two lips tightening fluctuations and relaxation, they interact and whistle sounds.
3 pipetting combined. Refers to the in vivo retention of gas blown out, and then again in vitro gas inhalation, such a natural process of breathing in air flow generated by the lips, tongue interaction can sound the whistle.
(D) From the perspective of range can be divided into:
A bass whistle: M g-d2 measured from the lower or e-c2 (e2), refers to a low female voice g-d2 or e-d2 (e2) range emitted. Bass pronunciation is: shrink back off the tongue hanging from his lips forward, mouth sewn slightly, slowing the flow rate of air flow, whistling sound emitted is so bass. Deep bass sounds heavy, broad and effective; alto in the deep bass tones, strong, powerful.
2 Alto whistle: M bb-f2 from the finger or a-f2 (a2), or female finger bb-f2 g-f2 (g2) the sound range. Alto pronunciation methods: under the tongue to withstand teeth, lips slightly slack natural, normal airflow velocity, whistling sound emitted is this tenor. Baritone timbre plump, firm, and there are masculine; entire Alto area mezzo-soprano sound bright, plump, deep mellow.
3 treble whistle: M represents c1-a2 or high c1-a2 (c3), refers to female high sound c1-a2 or c1-a2 (c3) given range. Treble pronunciation methods: tongue withstand lower teeth, lips taut, mouth sewn minimum flow rate of air flow and powerful whistle sound is treble this issue. Tenor tone and bright treble area clean, penetrating bass slightly weaker; soprano treble tones and bright, mellow, relaxed.
(E) From the perspective of rhythm processing can be divided into:
A strong voice: refers emphasis whistle sounds. Without it, the climax of the musical works for some treatment is not strong expressive force. It sounds relatively slow compared with the tone, with a strong voice, have the strength and intensity throughout the song, focused climax.
2 slow tones: refers feels very smooth, very gentle whistling sound. This sounds very calm, gentle, and it is relatively stronger than the tone of voice, it sounds so people do not feel tired.
3 Boeing: whistling sound emitted feels like a flute vibrato, there are large fluctuations.
4 Tremolo: The strong performance of the song was often used. Its pronunciation method: making ultra-sound playing when the tongue top tight air intake, and a little up and down vibration audible.
5 Portamento: Portamento is divided into upper, down tone. Portamento with external blow or suck pronounce the methods can be completed.
1 on the portamento: that the tongue forward by the spin top to bottom teeth gradually, slowly and gradually change the air flow from the acute and lips sewn mouth bass to treble by the whistling sound of the transition gradually becomes smaller by the big issue.
2 fell sound: that of the tongue from the top to the lower teeth gradually shrink vacant post, air gradually slowed by the anxious, whistling sound produced by the lips sewn mouth bass to treble the transition from small to larger progressively issued.
6 Fast Dayton: also called fast break. Is a sound a tone to hair, whistling sound and the sound does not sound connection. Some people call it spit outs tone and spit it into a single, double spit, spit three, and even spit. Because, after all, not a flute whistle pronunciation of a class of musical instrument, flute blowing method can only be used outside, whistle blowing and the use of external methods can suck playing, just syllables speed only. So, with “spit” word is not comprehensive, imprecise, so with fast Dayton or fast break more accurate.
With the development of society but also those who love and whistles constantly studying innovation, the future will come up with more ways and means of interpretation whistle.
Fifth, the whistle of the role and significance
Whistle generated from the development to the present, the reason why more and more loved by the Friends whistle, and was recognized by the general public to become an independent an art, that it has its advantages and irreplaceable role. Its role and significance of the main problems:
An expression of feelings. Whistle is both a language of expression, is a special form of music. Through it, you can express a person’s feelings, the full expression of a person’s happiness, anger, sadness and joy.
2 signals convey. Whistle can emit a loud and high-pitched voice, you can issue a soothing voice and smooth, it can be used as a sort of conditioned reflex principle to signal to convey. For example, during the war have been used to convey information, people continue to call for peace during their pets through the whistle, also often used to coax children to pee.
3 edify sentiment. People whistling, I can produce a sense of relaxed pleasure, good for mental health. If you can blend your own emotions and music are blowing, you can quickly eliminate and reduce depression, mood can be effectively stabilized. Conducive to health and longevity. As a healthy and civilized entertainment, is a beauty.
4. Physical fitness. Whistling full movement can cause facial muscles, a decrease in facial wrinkles. From a physiological point of view, at the time of the whistle, you need to breathe, which is the human respiratory system and chest, are beneficial. Than ordinary inhale more oxygen to breathe. Whistler is one of the effective measures for the prevention of facial muscles loose. Lips and cheek muscles show more tense than usual state, but usually talk less muscle activity also seems to recover, the equivalent of facial massage, anti-aging cosmetic effect. Mood of the song can make people pleasure psychosomatic, regulate mood, more blood flow.
Sixth, the standard works of outstanding whistle
An excellent whistle works, you need to have a standard and requirements. So, how is considered an excellent whistle work? I think we should have the following four points:
Emotional expression 1. Sufficient. A good work of art, must carefully be creative, to express. Whistle arts, too, whistle a perfect tune, first requires you to connotation thoughts and feelings, and things work demeanor reflected life and character of an observation, analysis, comprehension, language to whistle, whistle performance demonstrated by means of feelings have feelings, experiences and cognitive ability, skills and techniques to use the whistle, the understanding of the content and feel the emotion manifested by singing skills. If you do not analyze, to understand, to feel, the ability to express the song, even though there is a good whistle, whistle song was played out very calm, very plain, that is not moving, it can not achieve the purpose and requirements of the whistle art. Therefore, to be good at every whistle lovers experiencing the emotion of the song, and understand its meaning, the use of whistles skills, skills to express it, this is a very important aspect of the mouth artistic expression. Therefore, to grasp the content of the melody and understanding, emotional investment should be in place, have their own unique in handling. For example, the cheerful, happy sad song can not be blown, low-key, and vice versa. Otherwise, you lose the sense of play, and even become a joke.
2 pitch accurately grasp. Whistle a perfect tune, it can help people into a mood, gives a feeling of beauty. Here, the pitch is important, whistles level must be coordinated with the accompaniment of music. Strive to achieve: the treble to elegant, lightweight, delicate, sweet midrange areas should, soft, rolls, bass to full, abundant, Zhun thick. Therefore, to correctly grasp the song’s melody and rhythm, and strive to achieve is not out of tune, separated tune. Otherwise, people would feel uncomfortable sounds.
3 melodious combination is appropriate. Sounds of whistles, is both leisurely, but also Yang, melodious combination is appropriate. If only leisurely not Young, blow up very carefully, but there is no life; If only Yang is not leisurely, it sounds very loud but no ups and downs. To achieve smooth but not dry, clear and bright, vivid fullness, hardness and softness, natural and smooth, natural sound to get people comfortable, solid and plump, high definition, rounded and smooth, close apt.
4 range sounds generous. Whistle is an art, it should be aesthetically pleasing. Range to be broad, high, medium and low harmonic composition and intensity appropriate than with each resonance cavity resonance adequate coordination breath. Express good sound for music is very important, sound bright and clear, structured, high transparency, there is active, the feeling of beating. Correctly grasp the song’s melody and rhythm, timbre unified, smooth flavor, do not touch, do not candid. Overcome some of the shrill screams and other noise, noise, chaos appears sound.
These requirements may be more difficult for beginners. However, each person has a practice development process. No one is born with whistling. “Nothing is unachievable,” As long as our intentions to blow, intentions to practice, will achieve the desired results.
Practice basic requirements whistle
The basic requirements to practice whistle has the following four points:
1. Comply atmosphere. Good song whistles, it must be based on the connotation of the song playing in the wind, to be emotionally moving, convincing people with reason, can not be stereotyped. For example, the cheerful, happy sad song can not be blown, low-key, and vice versa.
2. Grasp pitch. Sound and rhythm must grasp the level of accuracy, can not run reconcile dislocation. To strive to achieve: (1) treble: elegant, lightweight, delicate; (2) Alto area: sweet, soft, cis; (3) bass: full, abundant, Zhun thick. Otherwise, people feel uncomfortable sounds.
3. Playing melodious. Sounds of whistles, is both leisurely and Yang. Young not only leisurely blowing up very carefully, but there is no life; Yang not only leisurely, blowing up no ups and downs, people sounded strenuous for you, feel very tired, we can not give people a leisurely relaxed feeling.
4 mellow temperament. Whistle is an art, it should be aesthetically pleasing. So, instead of playing to grasp mellow dry. Make it as like the crisp mountain stream, and thorough. Try to overcome the shrill screams and other noises appear.
These requirements may be more difficult for beginners. However, each person has a practice development process. No one is born with whistling. “Nothing is unachievable,” As long as our intentions to blow, intentions to practice, must return to achieve the desired results.
Any person has the beginner stage, at the beginning of practice, will inevitably be some cases feel dissatisfied. So, start practicing what issues likely to happen? Where is the difficulty in? How to overcome and resolve? Now, according to my whistle appearing in the course of practice and methods to solve problems, and share with everyone.
Seven basic requirements of multi-whistle lovers
The first, “De.” Everything is “virtue” as the first. When teachers talk about morality, engage in the arts talk about Arts de. Whistle belong artistic categories, but also pay attention to a moral. Whether expert or, beginners worth mentioning, whistle blowing how is secondary, life is the most important. So, before learning first learn to whistle, and then study whistle. So, what do people do? First, we must first learn to respect others, respect other people’s labor, humbly listen to the views and suggestions of others, the advantages of an open mind and learn from others. Everyone has strengths and weaknesses of each person, for lack of others, to raise the front of the well-intentioned. Be sincere to help others, but you can not laugh at others, ironically others, not attacking others. In particular treat a beginner, everyone must extend the hand of friendship to help, to encourage.
Second, the “ground.” As the saying goes, “Qinnengbuzhuo,” “diligence,” “learning is endless suffering to do the boat, arts indefinitely ground to track”, to learn, and learn well, to master any art, we must carry forward the fearless tired spirit. Exercise whistles, too, sometimes sore cheeks may occur, sometimes numb the mouth, this is normal. Usually, it is recommended for beginners to achieve the “four ground”: one eye ground (see more information, see more lyrics to the effect), and second ear Qin (listen to others blow a few times to listen to original music), the third is the mouth Qin (multi-blown, multi-practice), four are keen and (multi downloads accompaniment to accumulate more information).
Eight exercises whistles where to start
1 The first step: to practice sound. No sound at the beginning of practice blowing, blowing airflow only sounds normal. At this point, you do not and impatient, slow to fill. Whistle basic elements of “three elements”: First lips (lips), and second airflow (including blowing and suction gas from the gas in vitro human memory outside), the third is regulation of the tongue.
1 lips: lips is one of the most basic elements of the whistle. Its mouth is: suck rope lips around the middle can leave a little finger into the hole. The smaller the higher the sound opening seam; larger the lower the slit opening sound.
2 airflow: airflow blowing outward from the gas outside the human memory is called blowing the gas in vitro to in vivo inhalation called the absorption, both called mixed use combined blowing smoke. As a beginner, generally use outside blowing way to practice. Airflow, the more urgent, the higher the sound; slower the flow, the lower the sound. Do not start practicing transporting gas flow blowing too much, too fast. Otherwise, there is no memory of gas blown out of breath, and then inhale and blow over. Be sure to start practicing aspirated smooth, relaxed, controlled atmosphere.
3 tongue: the tongue can not only adjust the sound level of the whistle, it is a key element of pronunciation and tone. After the closer and hanging tongue in the mouth, the lower the whistle sounds; tongue more forward and to the top of the tongue to the sound of the next higher gear.
These are the whistle “three elements”, the three should closely cooperate in unison. Otherwise, focus only on one factor and ignore other factors, will not get good results. Just practice more and more experience, more research will find the law.
2 Step Two: To blow a different tune. Blow on the basis of sound, to be more transformed mouth and lips the size of elastic, multi-speed air flow and transformation priorities, multi-front and transformed by the tongue. Repeatedly to practice, lips, tongue and airflow should be applied flexibly. Can blow in different voices simultaneously, then syllables practice, which is music 1-2-3-4-5-6-7, if you can blow from low to high range of three different segments, so much the better a. Thus, for the next song to practice the foundation.
(3) The third step: to find their most familiar song accompaniment to practice.
4 Step 4: To be gradual, the courage to explore, bold practice. In the master and consolidate the basis of a simple song, and gradually increase the difficulty. Some of the more difficult to find an appropriate song to practice and become familiar with and master reached.
With the increasing whistle lovers, I believe, will emerge in the future a much higher level of play, the whistle beloved friends!
Nine, whistles practice answering questions
We practice whistle, often encounter some difficulties and problems, and there will be some temporary difficulties insurmountable problem. Here in everyday problems in real life and on the network made a lot of friends to do a post answers in order to find ways to solve these problems.
1 whistle during practice, dry lips, numbness how to do?
A: First, to replenish moisture, drink plenty of water to keep moist lips with his tongue; Second, you can use lip balm applied on the lips; Third blowing air with mouth lips several times, making it quiver, there where the sound blowing lips appear called “whirring”, so the lips will be flexible.
2 not started blowing the whistle, only the sound of the air how do?
A: This is the beginning of each exercise whistle people are often encountered problems. Mentioned the whistle of the basic elements of the “three elements”: First lips (lips), and second airflow (including blowing and suction gas from the gas in vitro human memory outside), the third is regulation of the tongue. When you’re practicing, try to use first whispered blowing, the air should be uniform, to be kept moist lips, tongue, to maintain its natural state. This repeated practice will blow the whistle voice.
3 to blow the whistle is always a sound, they said I was straight tone whistle blowing, blowing not only blow rhythm tone how to do?
Answer: to blow the whistle sounds, this is a big step forward. Begin to grasp the syllables are normal enough, I hope you have confidence. Next, you need according to their respective roles whistle “three elements” to carry out each syllable exercises. First lips: the higher the smaller the slit mouth sounds; mouth sewn greater the lower the sound. Second Draft: airflow, the more urgent, the higher the sound; slower the flow, the lower the sound. Third, the tongue: the tongue after the closer and hanging in the mouth, the lower the whistle sounds; tongue more forward and to the top of the tongue to the sound of the next higher gear. According to this rule, you have to repeatedly practice. Finally reaching the three coordinate with ease.
4 In the whistle playing, always feel not enough air, ventilation difficulties, how to deal with?
A: The people’s breath can blow long, long, always limited, and no one will inevitably ventilation process. Practice approach: First, take a deep breath, inhale and more; Second, even with gas, save gas; Third, it could place the appropriate link in the softly; fourth is a combination of methods to practice blowing smoke.
5 bass can blow past, treble falters how to do?
A: Because the characteristics of each person is different, and some began to blow like treble, some like blowing alto, some like blowing bass. My suggestion: have low high school three practice range. Treble practice methods: one to tighten and narrow mouth sewn; Second, under the tongue top tight teeth; Third airflow should be sufficient. By repeatedly groping and looking, you will find the treble, treble once again to find the necessary strengthening exercises, so that a stable grasp and use it freely.
6 alt can go up, but not blowing bass sounds how to do?
A: The practice approach: First, stretch lips, mouth sewn expand; Second, tongue dangling next contraction; Third aspirated slowly. Difficulty than treble bass is not small, so a lot of practice.
7 encounter fast-paced tunes total blow not fast-paced, what method to solve it?
A: This is a common and difficult problems encountered in practice whistle. You can not help but try to practice several ways: First, throat fast break law. While blowing whistles like cough, cough and gradually speed up, think of it like a laugh at the same time speeding up blowing the whistle, after repeated practice, and gradually eliminate the throat sound; Second, loaded fast break law. If you issue a “cool” sound while blowing whistles, use the back of the tongue in the mouth of the loaded airflow quick disconnect; third is “spit bitter” binding assay. Like the use of whistle blowing “spit + bitter” word to repeated practice; Fourth tongue beat France. In the back of the tongue caught in does not move, use the tongue between the loaded and the upper and lower teeth, pulsatile flow up and down between the upper and lower teeth; Fifth tongue in fluctuation method. Tongue withstand lower teeth, the use of the tongue in the middle shake to pulsating flow; six fingers knock lip Act. Whistle while playing with three fingers playing the same beat as the upper lip. Several methods are currently used in several ways, the future hope and expectation that we should explore other ways of playing.
8 I blow whistle slurred speech, only the ups and downs without pause, how to improve?
A: whistle and sing as well as other art, is the same reason. For each syllable as a whistle should explain clearly, can not whistle and whistle, so to lose the interpretation of the meaning. Any art, be hard to interpret, to creation. Practice approach: listen original music, lyrics and more, like singing to playing, to express, seek clear, and emotional investment.
9 does not sing out of tune, how a whistling tune ran tune it?
A: Yes mishandled pitch, tone off beat or substandard pitch, which is common practice in whistle problem. As the saying goes, “Practice makes perfect”, the familiar tune is playing a good basis for this song. Playing a good song, to a large extent depends on the familiarity of this song. Only song familiar. In order to understand the meaning of the song, but also will put your feelings into coming. Practice approach: First, listen to original music and accompaniment. The second is to repeatedly practice more with the original music, and then after a good grasp bold play.
10. Whistle range and grasp syllables are good, but why not move the audience?
A: Whistle vocal range and a good grasp of the syllable, which is the basic foundation. Help your whistle playing level has reached a certain height, it should be said that you are a rare talent whistle interpretation. But not touched the audience, it should be emotional investment is not enough. In front of the role and significance of the whistle and the basic requirements for the works already mentioned whistle, whistle is both a language of expression, is a special form of music. Through it, you can express a person’s feelings, the full expression of joy, anger, sadness and joy. A good work of art, must carefully be creative, to express. Whistle a perfect tune, first requires you to connotation thoughts and feelings, and things work demeanor reflected life and character have to observe, analyze, understand, and apply the skills and techniques whistle, to understand the content and feel of emotions show. Although you have a good whistle, but the whistle song was playing out of the monotony, they can not achieve the purpose and requirements of the whistle art. Thus, the emotional investment must be in place.
Whistle (a kind of energy blew artifacts)
Whistle: metal, wood or plastic can be sounded in a small artifacts. Many of its shape, not a purpose.
Whistle
Whistle
“Whistle” word from the “mouth” and “Shaw” component. “Shaw” links “flute.” Flute is a wind instrument, the ancient row together with many bamboo made, generally made of bamboo with a direct blow can sound “mouth and” flute “binding,” mouth flute “refers to a direct blow with the mouth the sound can be issued is the “whistle.”
Whistle (Cai Guoqing singing)
The song “Whistle” Zhang quinoa lyrics, compose Xu Qing mirror, is the TV series “Women are not the Moon” episode by Cai Guoqing concert. Included in Shaanxi Audiovisual Publishing House, “a woman is not the moon” Tape album.
A lyrics editor
Whistle
Authors: Zhang quinoa Composer: Xu Qing mirror singing: Cai Guoqing
Water splendidly splendidly drift drift whistle
River water flow flow flow flow flow signal
That’s a what signal who knows who knows
Ah it was not perceived heard someone listening heart jump
You say that the whistle is not strange strange strange you say that is not strange whistle
Water blow blow blow whistle
Think think think think my heart good friend
He is a good friend who knows who knows who
Ah heard the whistle whistle heard heart skip a laugh mouth
But do not let people see laugh laugh laugh laugh, but do not let people see
