features china

Bonan men’s clothing indispensable accessories – Security broadsword is not only The Bonan proud of handicrafts, is Bonan traditional material folk culture in essence. It the Xinjiang Uygur Yengisar knife the Achang Yunnan Husa knife tied for the three major Chinese minority Mito. In 2006, the Baoan broadsword forged art was included in the first batch of national intangible cultural heritage. Security broadsword with its bold straight blade, simple and plain appearance, durable features, deeply loved the people of the Northwest Territories, also gained quite a reputation in the Arab countries.

Has been the iron industry in the economic life of the Bonan people occupy a very important position, the Bonan baby – Security broadsword, is in the hands of the workshop in the security smelting fight the system. Its manufacturing about 100 years of history can be traced back to the Yuan Dynasty, Bonan ancestors can create a name of “black rifle knife the wooden leather sheath knife, is mainly used for military defense and the slaughter of cattle and sheep .

Genghis Khan is said to unify the tribes, weapons prevailed, frequent fighting between tribes at the time, all their weapons or high hardness and break easily, or can not afford to slash low hardness. Only Genghis Khan tribal knife hardness with softness, ride in battle. Casting weapons Genghis Khan, is the ancestor of the Bonan, when they or a small family, ancient blacksmith living, enabled by Genghis Khan, they began making knives because of its special production process, tempered, Genghis Khan to fight the system superior knife Since then, security broadsword to spread.

Today, security is one of a workshop, on the basis of inherited superb, and will continue to carry forward the knife skills. Selection of high quality steel, using the traditional method of fine iron plus steel cutter body repeatedly forged shank layers made of polished brass or copper, iron, silver pieces, although no ornate decoration, but but unique national characteristics. Security artisans in their own wisdom and understanding, the type of broadsword from the original “black bore knife” wave Diurnal and seasonal development of dozens of varieties to ten like Kam today, full of the Ga angle. In security broadsword series, the most famous wave Diurnal and seasonal “, the most beautiful is like 10 Kam. These security broadsword blade engraved with seven stars, five plum, one-stop, in charge of the same fine pattern, the pattern is not only to fight the system security broadsword craftsmen Code, and some pattern even or the Bonan blacksmith in the witness of the tragedy of the old society, with a commemorative significance.

Bonan economic life has undergone tremendous changes, the the broadsword military purposes slowly fade, gift, collectibles and used as a token expression of love between men and women have become the main mission of the broadsword. Bonan Islam, folk culture still retains a lot of its own characteristics, such as: a festive festive activities, Bonan men should Peigua security broadsword, and they continue to believe that the family chipped broadsword slaughter livestock can reduce the suffering of livestock.

Tang Dynasty is the working people in the Tang Dynasty in China created a strong ethnic and local characteristics crafts. It is developed by the Sui Dynasty monochrome colorful glazed pottery products, it tires with white clay, copper, iron, cobalt, manganese and other metal elements mineral colorants, the preparation of low-temperature glaze, applied to the body The surface temperature of about 800 ° C, once firing. You can also burn the prime tire, Zaishi color glaze, the second firing. Its glaze green, blue, yellow, white, ocher, brown and other, generally yellow, green, ocher, and because it is beginning to burn in Tang Dynasty Luozhou the Heluo Strip, it said Luoyang Tang Dynasty, dating has There are 1,300 years of history. It draws on the characteristics of the traditional Chinese painting, sculpture and other arts and crafts, use of heap stickers, portrayed in the form of decorative patterns, rough and strong lines.

Tang Dynasty charm is first expressed in its wonderful and unique color effects, due to the lead glaze liquidity, in the process of firing glazed spread to the surrounding flowing, the glaze infiltration blend with each other, forming a natural mottled brilliant colors display a grand and splendid artistic charm. Look at the full charm of the Tang Dynasty horse, red as a warm, emerald green is so brilliant, Mazumdar white as snow, revealing a black light.

Tang Dynasty features is that it is a mix of plastic arts. The Tang Dynasty is generally divided into objects and figurines two categories. Tang Dynasty artifacts rounded body, plump, plump with the art of the Tang Dynasty, fitness, wide Shuo is in agreement, which includes a spoon, cups, plates, pots, bottles, furnace, Vessels, ox cart, carriage. Figurines including character figurines and animal figurines two. Character figurines including civilian, warrior, barbarian, lady, maid, the men female officer, attendants, honor guard, Kabuki, the kings of households grave (Lux). Animal figurines including Tomb monster, camels, horses, cattle, donkeys, lions, tigers, sheep, dogs, rabbits, chickens, ducks. Tang Dynasty characters and animals, the proportion of moderate, natural shape, smooth lines and lively. Youyi camels, horses and people shape the most vivid.

Tang San Cai Horse

The shape of the Tang Dynasty horse, realistic shape. From Gunma look to see: foraging Changsi, or bolted, or stand, or walk, or look back to lick hair, or bow news show. A variety of circumstances in vivid. Three-color horse shape is characterized by the body tall, thin-nosed wrist, vigorous, powerful, vivid bright-eyed. Luoyang, Henan Province unearthed a dark blue background color pommel horse, over the body dark blue, set off patches of leukoplakia, dark brown saddle bridle ornaments, coupled with the green impaired mud, hooves standing, fierce-looking eyes wide open, mouth slightly open To cries of non-cries, to even vigorous prestige, reflecting the skill of the Tang Dynasty sculpture artists.
Tang San Cai camel

Tang Dynasty camel’s alone in that bone-shaped: it thick and long neck, sturdy body, wide mouth and eye, strong Shuo powerful heavy hooves support body. Body movement of the key parts of the neck. When the it eagerly sky and blew the its bimodal either side of subtle fibrillation, Shen defended the panoramic view of the character, and exciting. In the Tang Umori General tomb unearthed a camel figurines contained music. Camels head standing, whole body brown, from the top of the head to the neck, chin to the belly and the upper part of the two front legs drooping long-haired, soft Korea beautiful. The hump was added to our platform and covered with blankets. Platform on the left and right sit Hu Music figurines two, and sitting back to back, wind and percussion instruments, a central figurines standing, dancing. Three music figurines all deeply set eyes high nose, chin whiskers, wearing a green long coat lapel, white felt boots, the only previous wear yellow through-shoulder coat. This the tall camel upload music and dance figurines exquisite, amazing!
Tang San Cai figurines

Tang Dynasty figurines are vivid, elegant and chic. You see, the literati figurines, tall and handsome, gorgeous costumes, sloping collar, she was quiet and calm, leisurely; warriors, strong body, and the belly bulge, a suit of armor, wild-eyed, rattling, powerful and aggressive, ladies; figurines lush body, buns wide sleeves, slim, relaxed elegance very plump. Care tomb kings Helmet wearing Heguanzi, Lu Dian mouth beads, wings tail lift tail with red color, winged golden color; shirt wearing a helmet, knee pads like the head; hand rested primary Juquan, two feet on a goblin, ghost for struggling like you want to play. These images have a distinct personality, reached Vivid realm of art.

Tang Dynasty art well-made, ornate, while maintaining a realistic approach since the Qin and Han dynasties, but also the taste and color of the Tang Dynasty era of romanticism, the creation of the unique style of the Tang Dynasty pottery art, known as the “Oriental Art Sea Pearl.

Tianjin clay Zhang Caisu is a very common people like Chinese folk handicraft art, it makes the painted clay figurine shine, a flower of Chinese folk handicraft. “Clay figurine Zhang”, is given to Zhang generations of painted sculpture masters title of honor.

“Pioneer of clay figurine Zhang”, to Zhang Mingshan, he followed his father Zhang Wanquan fired ceramics, do some small animal. Later, he was not burned clay animal test on the application of color, because the effect is good, began the practice of painted sculpture. At the age of 18, he holds the family and bold innovation, to knead lifelike portrait and create a great sensation. He has been in the family runs a clay sculpture workshop plastic Gu zhai. He is highly skilled, simply and people sitting opposite, stroke soil in hand, quietly, instant and. Face diameter inch, not only vivid and true to life likeness, bishop, a popular dynamic. Legend, Zhang Mingshan often up your sleeve with mud to the theatre, while watching the side in a roomy sleeves knead head, a did not end, will make each role, vivid, distinctive. He was good at plastic portrait, gave many celebrities like plastic. Now the Museum of art on display inside the Mei Lanfang like Mr. Mei performance reproduction Daiyu art, see this piece of art, would like to see Mr. Mei dancing dancing. Foreigners “in Tianjin to weight value to buy, the museum, for people to watch. ”

After Zhang Mingshan, Tianjin clay Zhang Caisu art through his son Zhang Yuting (1863 ~ 1954), his grandson Zhang Jinghu (1891 ~ 1967), great-grandson of Zhang Ming’s several generation of accumulated more perfect. It is based on the absorption of the ancient mud figurines, pottery and painted sculpture art and religion in the clay Zhang Yuan, also absorbs the modern sculpture techniques, and to the bishop shape, simple and bright colors, strong decorative taste, rich flavor of life art characteristics, become the modern folk developed from the famous arts and crafts school, for hundreds of years of continuous, enduring. Xu Beihong famous painter of China praised the clay figurine Zhang characters “no special features of zygomatic hand foot mouth vivid, vivid and muscle are consistent”.

Clay figurine Zhang second generation descendant of Zhang Yuting, tend to the road of realism creation, enrich the performance skills, expanded the work scope of subject matter. The creation of Zhang Yuting’s “three hundred and sixty elements”, to observe the life of fine detail, the work of the ingenious, make Xu Beihong see. Later Xu Beihong Wen praised the “sell cake” and other works is a masterpiece of realism, they have the world first-class level of art, and then to the world’s most famous sculpture master comparable. In 1915, Zhang Yuting’s works won prizes in the Panama exposition, known as the “rise above the common herd” for.

Clay figurine Zhang third generation descendant of the creation of Zhang Jinghu’s “east wind”, by a group of old people play scene, to reflect the socialist era spirit, vivid images. Clay figurine Zhang fourth generation descendant of Zhang Ming, the 1976 Tangshan earthquake, the disaster scene, created a “double day”. We hit an old worker to airdrop food and drug at the time of excitement, this piece was selected in 1977 national art exhibition. Zhang Ming has engaged in the creation, on the one hand to teach their skills to young people. In recent years, the old artist has trained hundreds of Niren Zhang clay workers, the clay figurine Zhang clay sculpture art into a social art from the exclusive art creation, expanding the ranks.

Clay figurine Zhang generation has new development, clay figurine Zhang works at home and abroad, in 2006 May the Ministry of culture of clay Zhang Caisu was included in the first batch of national intangible cultural heritage.

Jiangxi Jingdezhen porcelain is an outstanding representative of China’s porcelain craft by celadon period “into the” period of ceramics. It is known for its fine porcelain, elegant, variety, unique style. After the Song Dynasty, after the Yuan, Ming and Qing Dynasties, Jingdezhen gradually developed into the center of China’s porcelain manufacture. Jingdezhen porcelain ceramic “white as jade, bright as a mirror, as thin as paper, sound like a melody, become an important asset in the treasure house of Chinese culture. Our late writer and poet Guo had the verse “the country of China No. porcelain, Porcelain peak this.” Today, Jingdezhen porcelain porcelain carving exquisite range of technology, both as a high-grade ceramic tableware, but also as an art handed down curios. Artistic expression or solemn, deep, fresh and elegant, or magnificent, worthy of a charming Jingdezhen porcelain museum.

Jingdezhen porcelain, household names, including women and children. Which blue and white, exquisite, pastels, color glaze, collectively known as the “four traditional porcelains of Jingdezhen, eggshell porcelain that magical treasures, porcelain sculpture of China’s traditional arts and crafts.

Blue and white porcelain

Blue and white porcelain is the highest of the four traditional porcelains, which began in the Song Da Sheng mature in the Ming and Qing dynasties, known as the “human treasures”. The blue and white is a underglaze porcelain, cobalt oxide blue and white porcelain patterns, depicted in the mold and applied a layer of colorless transparent glaze once firing into the kiln at high temperature. Its crystal glaze, thorough, pattern matched the blue and white, the picture is clean and simple and elegant, crisp style, with the effect of traditional Chinese ink painting, constitutes a white glaze blue and white in a town, flower glaze seeped distinct characteristics, making other porcelain can not The unbeatable. A lot of blue and white porcelain treasures are still being detained collection in the Museum of Britain, the United States and other countries. Durable blue and white porcelain, porcelain is not broken, the color does not fade, is internationally hailed as the “porcelain country, Pearl.

Exquisite blue and white porcelain

Exquisite blue and white porcelain, also known as “rice”, is in the the Ming Yongle hollow process based on the creation and development of more than 500 years of history, Jingdezhen original traditional products. Artists with a blade through flower carved on thin mold and rice-shaped hole, also known as the exquisite eye, and then fill in the exquisite glaze, filling the pass-dong, baked into the kiln. Thus, in the same piece of porcelain, blue and white and exquisite cleverly blend together a green transparent Delicate and elegant, green blue and white set off each other, each other. The formation of exquisitely carved, quiet pretty elegant unique style, foreigners called it “embedded glass porcelain. Qianlong in the Qing Dynasty, the imperial kiln specialized generic exquisite porcelain and other valuable porcelain, exquisite porcelain more refined.

Painted Porcelain

Painted Porcelain is the strongest performance of the four traditional porcelains decorated, it is developed on the basis of multicolored glaze color. That is mixed with lead powder pigment painting in prime vitreous enamel firing, and then at a temperature of 2,400 degrees Celsius baking together, showing different shades of color, shades of coordination, both full of the charm of Chinese painting, There is a sense of relief. This porcelain color effect gives to moist pink beauty, hence the name pastels. Because it has a soft, elegant artistic appeal, so called soft color. Fen Caici fired in the late Qing Dynasty Emperor Kangxi, Yongzheng period to be developed, perfected the Qianlong period. Pastel take more Chinese painting color meticulous of work with writing and no bone freehand techniques, the screen filled with strong ethnic characteristics. Chinese historical stories and myths main character, a beautiful and colorful landscape, the lifelike bird feathers, neat symmetrical geometric patterns, very high artistic value, a model of oriental art.

Color glaze porcelain

Color glaze porcelain colorful, four porcelains is the most compelling, known as the “man-made stones. The manufacture of color glaze, plus some kind of metal oxide in the glaze and natural ore, after the roasting, the formation of colorful decorative effect. The people said, “What is the color, you can burn out what color porcelain nature.” That is true, Jingdezhen firing color glazed porcelain, glaze wished gorgeous, gentle and unassuming green glazed, glaze colorful, crystalline glaze is ever-changing, and some, like the starry, some like ten thousand rays, some like joy, and some, like the flowers are blooming, the magical art effect is good praise and bow. Ming Dynasty on the basis of Jun red, pottery making people create a better quality high-temperature copper red glaze – offering red. This glaze Johnson but not brilliant red, slightly purple, deep color stability, the ancient royal ceremonial vessels this glaze, later known as the “Festival red”. The world color glazed porcelain crown, offering red crown a dazzling jewelry, thousands of kilns Bao said. The color glaze yellow, Ji yellow, peacock blue and other varieties, the for Chinese porcelain Court win to a riot of color, the state made a very Yan prosperity.

Today, Jingdezhen new from craftsmen continue to learn from the advantages of the sister art to enrich the development of the art of their favorite, so that the porcelain skills are becoming more and more sophisticated, and finally to consummate, superb situation. To the essence and beauty of porcelain, everyone out of Jingdezhen. “