Bangdi northern folk music accompaniment for the Northern Clapper Opera, fine flute body and short, high-pitched tone bright and strong, focused on the use of the tongue skills, such as the famous flute player Mr. Feng Zicun played “five clapper”, “Happy Encounter” , showed a strong performance in the local color, the more fierce in the use of breath and rapid jump with a tongue to play sound, powerful tone stack, and so full of fun flowers retroflex special skills.
Edit Summary
Bangdi bangdi
Bangdi northern folk music accompaniment for the Northern Clapper Opera, fine flute body and short, high-pitched tone bright and strong, focused on the use of the tongue skills, such as the famous flute player Mr. Feng Zicun played “five clapper”, “Happy Encounter” , showed a strong performance in the local color, the more fierce in the use of breath and rapid jump with a tongue to play sound, powerful tone stack, and so full of fun flowers retroflex special skills.
Bangdi common fingering is tube tone for re, followed by the sol, sometimes as mi, la.
Bangdi good performance energetic bold, lively and brisk fantastic, with a strong north colors, in which the people of this region and the northern characteristics and life, work habits are inseparable. More for the north blowing song, Peking Opera and clapper opera (such as Shaanxi, Hebei Clapper, Puju etc.) accompaniment, also be used to solo.
Bangdi song prevalent in northern China, mainly northwest Hebei, Jizhong region. Representative track has Fengzi keep playing, “five” clapper “Happy Encounter” “kite” “hanging red light”, “bright-winged oriole”; Liu Band played “vegetables”, “Yam bird”, “Jinan small door” “Peace Dove “India and LIANG Pei, Wang Li – jen performance of” talk back “and other songs.
According to the traditional habit of playing characteristics, north bangdi playing skills are mainly tonguing (Dayton tone), wiping sound (glide), flower tongue, tone stack, calendar tone, etc; South Qudi playing techniques commonly used mainly pad sounds , playing sound, overtones and so on. But in innovative flute music, the north and south flute music habitual special playing skills have to be absorbed by the fusion music on demand creation.
Scores mark
Tonguing “·” “▼”; Yin tone “◆” “~~~~”; chop sound “”; calendar tone “/”;
Flowers tongue “*”; play sound “Ding”; stacked tone “and”;
Excellent folk artists Fengzi deposit (1904–), Yangyuan County, Hebei Province, north bangdi played the main representative. Fengzi deposit bangdi rough simple performance art, folk music has a profound accomplishment, his bangdi song is in Hebei, Shanxi, Inner Mongolia convergence zone spread folk music, based on the development of local opera music together. He has long been engaged in the local opera “Duet” accompaniment, so full of life in close connection with the opera performances and lively atmosphere and language features, which greatly promoted the development of the art of playing the flute Fengzi deposit. On the playing techniques he uses breath, wiping sound jumping Dayton sound, powerful sound of the stack, calendar tone phrases tail tip, full of charm, gorgeous flowers unrestrained tongue fly trill, colorful flowers and other northern bang retroflex flute unique skills, make melody with a strong local flavor. Fengzi deposit had long lived in the working people, and that he along with “Duet” team, traveled Zhangbei backcountry, so he sort of flute music, with a strong earthy fragrance.
Fengzi keep playing flute song “five Clapper”, originally popular in North China’s one instrumental tunes. Healthiness beautiful melody, commonly used in opera interlude. The tunes kept by Fengzi after finishing, giving the music a rough forthright, passionate personality, bangdi special arrangements and the use of techniques to make music with strong local color.
Rich in color tone wiping spend retroflex attract listeners, the first four sections wiping tone, tone stack, continuous tone arrangement calendar, showing the unique artistic style of playing bangdi. Theme smooth melody, serene joy and emotion, and change the color tone of the Palace arrangements so soft tone mildly. “Five Clapper” theme rendered largely pentatonic mode continuous downward into the second degree. It is the way to start a strict variation Enthone, its variation is characterized mainly in terms of the progressive replacement flute skills and speed, and gradually expand to cause emotions.
“Five Clapper” in the structure of folk music using the most common variation principle. In addition to the general melodic variation technique common approach plus flowers, but also the application of the playing techniques transform the way. Song structure short, simple and concise way, the local rich colors.
